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Blondes who played lesbian roles in coming of age films
But I'm a Cheerleader
Megan is an all-American girl. A cheerleader. She has a boyfriend. But Megan doesn't like kissing her boyfriend very much. And she's pretty touchy with her cheerleader friends. Her conservative parents worry that she must be a lesbian and send her off to "sexual redirection" school, where she must, with other lesbians and gays learn how to be straight.
Blue Is the Warmest Color
Adèle's life is changed when she meets Emma, a young woman with blue hair, who will allow her to discover desire, to assert herself as a woman and as an adult. In front of others, Adele grows, seeks herself, loses herself, finds herself.
High Art
A young female intern at a small magazine company becomes involved with a drug-addicted lesbian photographer, both of whom seek to exploit each other for their respective careers, while slowly falling in love with each other.
High Art
Peter Mandrake, a North-American photojournalist becomes embroiled in South America's dangerous underworld of pimps, drug gangs and arms smugglers when he sets out to find the killer of a local call girl.
Desert Hearts
While waiting for her divorce papers, a repressed literature professor finds herself unexpectedly attracted by a carefree, spirited young woman named Cay.
Women in Love: Helen Shaver and Patricia Charbonneau on Desert Hearts
DESERT HEARTS depended on the connection between its two lead actors, Patricia Charbonneau and Helen Shaver, and on their trust in director Donna Deitch. In the following program, made by the Criterion Collection in New York in 2017, the actors and the director discuss the making of the film, the close bond they formed, and the ways it changed their lives.
The Handmaiden
1930s Korea, in the period of Japanese occupation, a new girl, Sookee, is hired as a handmaiden to a Japanese heiress, Hideko, who lives a secluded life on a large countryside estate with her domineering Uncle Kouzuki. But the maid has a secret. She is a pickpocket recruited by a swindler posing as a Japanese Count to help him seduce the Lady to elope with him, rob her of her fortune, and lock her up in a madhouse. The plan seems to proceed according to plan until Sookee and Hideko discover some unexpected emotions.
The Handmaidens of God
This documentary chronicles the religious life of an order of Catholic nuns in Canada: Les Petites Soeurs de la Sainte-Famille (The Little Sisters of the Holy Family). Along with interviews with the Sisters and footage showing how they conduct their everyday lives, the movie also features interviews with their priest-supervisors, doctors, other priests, and members of the Church hierarchy.
Brunes et Blondes
Actresses' hairstyle in movies always carries a strong aesthetic statement associated with erotic, social, and historical meanings. In a bold and unexpected way, the film revisits this ultimate symbol of femininity in international cinema.
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