Man watches and directs couple while behind wall. Woman is pregnant

When Lorna Brady, a survivor of one of Ireland's Magdalene Laundries, wakes to find a corpse in her house, she has no idea who the dead woman is or if she's responsible for the apparent murder, because she has long suffered from extreme bouts of sleepwalking.

On a winter's day, a woman stretches near a window then sits in a bathtub of water. She's happy. Her lover is nearby; there are close ups of her face, her pregnant belly, and his hands caressing her. She gives birth: we see the crowning of the baby's head, then the birth itself; we watch a pair of hands tie off and cut the umbilical cord. With the help of the attending hands, the mother expels the placenta. The infant, a baby girl, nurses. We return from time to time to the bath scene. By the end, dad's excited; mother and daughter rest. Preserved by the Academy Film Archive in 2013.

The couple, surprised by the news of the pregnancy, decides to immortalize this strange time in the form of a film. The phone that they pass to each other watches their everyday life, becomes a witness and provocateur of questions and doubts. She experiences extreme emotions, to which it is sometimes embarrassing to admit. He is consistently renovating the apartment and feels that there is no room for weakness.

"Pregnant" is a window into a woman's existence as she lives her internal life ever so delicately as her external life. Becoming a mother for the second time, she prepares for the unknown.

The nine months of the filmmaker's pregnancy constructed as a serio-comic fractured nine-chapter narrative, from conception to birth, emphasizing the constantly changing transitional state of embodiment of pregnancy.