Pregnant Woman takes a bath

A young couple, Rosemary and Guy, moves into an infamous New York apartment building, known by frightening legends and mysterious events, with the purpose of starting a family.

Young Rosemary Woodhouse and her husband Guy move in with a rich couple, who soon take an unusual interest in the Woodhouses' attempts to have a second baby after Rosemary miscarried the first one. Guy soon has unusual success and Rosemary becomes pregnant, but it becomes clear that the two are connected and that the pregnancy may not be all that Rosemary hoped for...

Challenges of impending parenthood turn the lives of five couples upside down. Two celebrities are unprepared for the surprise demands of pregnancy; hormones wreak havoc on a baby-crazy author, while her husband tries not to be outdone by his father, who's expecting twins with his young trophy wife; a photographer's husband isn't sure about his wife's adoption plans; a one-time hook-up results in a surprise pregnancy for rival food-truck owners.

A pregnant woman makes a series of phone calls to her doctor and loved ones while she waits alone to give birth at her parent's bathtub.

On a winter's day, a woman stretches near a window then sits in a bathtub of water. She's happy. Her lover is nearby; there are close ups of her face, her pregnant belly, and his hands caressing her. She gives birth: we see the crowning of the baby's head, then the birth itself; we watch a pair of hands tie off and cut the umbilical cord. With the help of the attending hands, the mother expels the placenta. The infant, a baby girl, nurses. We return from time to time to the bath scene. By the end, dad's excited; mother and daughter rest. Preserved by the Academy Film Archive in 2013.

A woman attempts to pull herself out of her sinking mood by taking a bath.

Conny visits me when she is eight months pregnant. She takes a bath; she is very happy about the upcoming birth of the baby.

Nothing to do with potties... Baby gets a good wash. In this charming Hepworth actuality film a crisply uniformed, no-nonsense nurse bounces a baby girl on her lap before submerging the unsuspecting infant into a tub of soapy water. The baby is surprisingly content to be so vigorously sponged and rinsed but somewhat less happy when extracted from the suds and deposited onto a set of unwelcoming metal weighing scales. Once back on a familiar lap, however, the baby delights in being dried, powdered and expertly pampered. (Catherine McGahan)