movie about old lady and her garden shot on 22 mm film

The young Harold lives in his own world of suicide-attempts and funeral visits to avoid the misery of his current family and home environment. Harold meets an 80-year-old woman named Maude who also lives in her own world yet one in which she is having the time of her life. When the two opposites meet they realize that their differences don’t matter and they become best friends and love each other.

A roll of super 8 given to a first time filmmaker at the age of 68 by her son in law. She is asked to use the roll to take photos of her garden. She says the following about her film: "What do I see in my garden, through my windows? The plants and flowers that I love and the bird that I admire."

An intimate, filmic love letter to the filmmaker’s quasi-grandmother.

I returned to 8mm home movies for this compilation film, shot during the final year of my grandmother's life, and, beginning with footage of her garden. It is a documentary about gradually vanishing equipment collapsing and deteriorating, and also a document of those processes themselves. With the camera picking up details so minute that you can practically smell the pungent odors on the other side of the lens. I continued filming while actually having no idea when the device might reach the end of its life.

The indestructible "Granny-Frog" lovingly describes the flowers in her garden that she eagerly awaits, while the obsessed filmmaker finds those 'flowers' in discarded, accidental beauties in the neighborhood. A stop-motion roller coaster ride through sleepy working-class neighborhood "Detelinara".

An emotional film about the profundity of what’s right in front of us, and the meaning we can draw from our connection to the land and each other as we age.

A short piece in which Agnes Varda revisits actress Marthe Jarnias, who plays the old aunt in her 1985 film "Vagabond".

A brief but moving portrait of the filmmaker's sister at practice. Shot in China on 8mm film

A woman decides to film her visits to her grandmother. In the quiet home, the camera captures the unique relation between these two women 50 years apart. With days passing by, the lines between film and life increasingly become blurred.

A quiet moment with the plants. A home-grown film: shot in my garden, processed in my basement, and dried on the lawn.