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I have seen things i should not see
The Prestige
A mysterious story of two magicians whose intense rivalry leads them on a life-long battle for supremacy -- full of obsession, deceit and jealousy with dangerous and deadly consequences.
A Sexual Genius A Shocking Horny Amateur Test Shoot These Real Amateur Babes Are Here Test the Limits of Their Sexual Talents for the PRESTIGE Label vol. 55
A Sexual Genius A Shocking Horny Amateur Test Shoot These Real Amateur Babes Are Here Test the Limits of Their Sexual Talents for the PRESTIGE Label vol. 55
Omusubi
A Heisei youth graffiti drama, in which the heroine Yoneda Yui (Hashimoto Kanna), born in the first year of the Heisei era, connects people's hearts to the future as a nutritionist. Always cherishing her individuality, she sometimes struggles, but powerfully and joyfully pushes through the turbulent Heisei and Reiwa eras.
Plus belle la vie, encore plus belle
The Sixth Sense
Following an unexpected tragedy, child psychologist Malcolm Crowe meets a nine year old boy named Cole Sear, who is hiding a dark secret.
The Sixth Sense: Rules and Clues
This making-of piece examines the various guiding elements of the story and various aspects of the film that hint to its surprising ending.
Donnie Darko
After narrowly escaping a bizarre accident, a troubled teenager is plagued by visions of a large bunny rabbit that manipulates him to commit a series of crimes.
Donnie Darko: Production Diary
Behind the scenes look at the making of cult classic Donnie Darko
The Arrival
Zane Ziminski is an astrophysicist who receives a message that seems to have extraterrestrial origins. Eerily soon after his discovery, Zane is fired. He then embarks on a search to determine the origins of the transmission that leads him into a Hitchcockian labyrinth of paranoia and intrigue.
The Arrival of a Train at La Ciotat
A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.
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