A bunch of kids are filming when they witness a train wreck

In 1979 Ohio, several youngsters are making a zombie movie with a Super-8 camera. In the midst of filming, the friends witness a horrifying train derailment and are lucky to escape with their lives. They soon discover that the catastrophe was no accident, as a series of unexplained events and disappearances soon follows. Deputy Jackson Lamb, the father of one of the kids, searches for the terrifying truth behind the crash.

“In re-viewing our Super 8 films, shot between 1972 and 1981, it occurred to me that they comprised not only a family archive but a testimony to the pastimes, lifestyle and aspirations of a social class in the decade after 1968. I wanted to incorporate these silent images into a story which combined the intimate with the social and with history, to convey the taste and colour of those years.” Annie Ernaux

Experience the untold story of the greatest train wreck in local access TV history.

Short film about a train crash

A train stops at a station in a small town. An accident has occurred and some freight cars have overturned, which stops the railway traffic. At the same time, some young people are breaking into a weapons depot, something that will have fatal consequences.

A young social media, photography and video enthusiast visits abandoned railroad tracks

About Soviet schoolchildren who prevented a train disaster.

The scene is a railroad track on the side of a steep mountain, with a tunnel in the background, toward which a train is running at a high rate of speed. At this instant the audience is appalled at the sight of a second train rushing out of the tunnel. Both trains are on the same track and traveling toward each other at a high rate of speed. They collide. Cars and engines are smashed into fragments and thrown down the steep incline. (Edison Catalog)

A train disaster is told in four short stories to give character studies of the people involved, how it will affect them and how they deal with it.

A woman is chased by the wind of an arriving train. What follows is a visual ride – the camera becomes a protagonist of the film itself. The levels of inner film reality and the film material influence each other more and more to the point of physical destruction.