mahjong table in a dimly lit parlor, characters smoking

A headstrong Chinese-American woman returns to China when her beloved grandmother is given a terminal diagnosis. Billi struggles with her family's decision to keep grandma in the dark about her own illness as they all stage an impromptu wedding to see grandma one last time.

A group of friends at a Jerusalem retirement home build a machine for self-euthanasia in order to help their terminally ill friend. When rumors of the machine begin to spread, more and more people ask for their help, and the friends are faced with an emotional dilemma

Through a series of flashbacks, four Chinese women born in America and their respective mothers born in feudal China explore their pasts.

In the sequel, the mothers become grandmothers and the daughters become mothers in their own right, introducing a new generation exploring their own relationships with culture, heritage, love, womanhood and identity.

An American-born Chinese economics professor accompanies her boyfriend to Singapore for his best friend's wedding, only to get thrust into the lives of Asia's rich and famous.

Two lost souls visiting Tokyo -- the young, neglected wife of a photographer and a washed-up movie star shooting a TV commercial -- find an odd solace and pensive freedom to be real in each other's company, away from their lives in America.

Filmed at The Lincoln Theatre in Washington, D.C., "Trevor Noah: Lost in Translation" brings Noah's unique world-view and global analysis of American culture to the forefront. In the special, Noah addresses major domestic and international events of the past year, sharing his outlook on the world today, including terrorism, racial tensions in America and what it was like being African and travelling into the United States during the EBOLA crisis.

A retired and widowed Chinese master chef Chu and his family live in modern day Taipei, Taiwan. He lives with his three attractive daughters, all of whom are unattached. Soon, each of the daughters encounter new men in their lives. When these new relationships blossom, stereotypes are broken and the living situation within the family changes.

"Paul Wong’s Mahjong is rooted in the visual and oral sensuality of the game–the saturated colours of green in the game pieces and table top, the characters and names, floral patterns and coloured numbers on the dice and game pieces. It is this rich iconography that allows the participants to invent their own rules and play the game according to the images at hand." - Jordan Strom

Three older men, wearing hats and smoking cigars, are sitting at a patio. Two of the men are playing cards at a table while the third man sits watching. As the game continues a (younger) waiter walks across carrying a tray with a bottle of wine and glasses on it. The man sitting at the table then proceeds to pour the drinks while the waiter observes the card game.