british film about girl gets abused in foster care

The story of Margaret Humphreys, a social worker from Nottingham, who uncovers one of the most significant social scandals in recent times – the forced migration of children from the United Kingdom to Australia and other Commonwealth countries. Almost singlehandedly, Margaret reunited thousands of families, brought authorities to account and worldwide attention to an extraordinary miscarriage of justice.

Three young Irish women struggle to maintain their spirits while they endure dehumanizing abuse as inmates of a Magdalene Sisters Asylum.

A woman searches for her adult son, who was taken away from her decades ago when she was forced to live in a convent.

Moments of Wonder with Philomena Cunk was a mockumentary series starring Diane Morgan which has now gone on to create a new series, Cunk on Britain.

A constant runaway is given over to the care of the state and finds herself in a remand centre for girls. She is soon caught between the uncaring bureaucracy, the sometimes brutal treatment from her peers and her own abusive family, and only one care worker sees her potential to rise above her tragic circumstances.

A 14-year-old girl auditions for a film role as an abused sex worker, and the director tries to convince her mother of the artistic rationale behind the provocative part.

Forced by her poor father to live with a well-off man, a young girl must find a way to escape her new abusive home.

The film follows five years in the life of a young girl as she struggles against an onslaught of good intentions. From her first encounter with the social care system, through a range of foster placements, to a haunting climax, we are challenged to question how it is that so many well-intentioned people can do so much unintended damage. And how it is that the £4bn a year that people in the UK spend on children in care has failed to break the cycle of abuse, addiction and abandonment. Written by Tim Kemp

Based upon true events and the novel by Gabriel Scott about terrible conditions in a foster family.

"It’s not easy to find a foster family for you," an orphanage supervisor explains to nine-year-old Alicia. "After all, you are a very special girl." Alicia is crying. "I’m not special. I’m just a girl." This disturbing scene sets the tone for this film about Alicia, who was taken away from her teenage mother by the Child Welfare Bureau when she was 12 months old. She’s been living in an orphanage since the age of five, and they have never managed to find a foster family for her. In Alicia, we watch as she becomes a teenager, still craving safety and love. Over the course of three years, filmmaker Maasja Ooms follows her daily life up close. Alicia's yearning and powerlessness are palpable in these observations, which painfully reveal the effects of having no prospects.