80s movie with female cop searching for a murderer

Boom Boom Bronsky is a porn director summoned to Cleveland to meet with a mob boss. The mob is intent on muscling in on Bronsky's business and easing him out of the picture.

From the Egyptian desert to deep below the polar ice caps, the elite G.I. JOE team uses the latest in next-generation spy and military equipment to fight the corrupt arms dealer Destro and the growing threat of the mysterious Cobra organization to prevent them from plunging the world into chaos.

It’s 2006, YouTube is in its infancy, and internet porn is still behind a paywall. Taking the stage name Brent Corrigan, a fresh-faced, wannabe adult video performer is molded into a star by Stephen, a closeted gay porn mogul who runs the skin flick empire Cobra Video from his seemingly ordinary suburban home.

Detective Ma Seok-do changes his affiliation from the Geumcheon Police Station to the Metropolitan Investigation Team, in order to eradicate Japanese gangsters who enter Korea to commit heinous crimes.

Navy Lt. Tom Farrell meets a young woman, Susan Atwell , and they share a passionate fling. Farrell then finds out that his superior, Defense Secretary David Brice, is also romantically involved with Atwell. When the young woman turns up dead, Farrell is put in charge of the murder investigation. He begins to uncover shocking clues about the case, but when details of his encounter with Susan surface, he becomes a suspect as well.

She was a beautiful fugitive. Fleeing from corruption. From power. He was a professional athlete past his prime. Hired to find her, he grew to love her. Love turned to obsession. Obsession turned to murder. And now the price of freedom might be nothing less than their lives.

Picha's irreverent style has left a mark on 70s and 80s animation cinema. But where is he now? And how should we best approach his work as an iconoclastic cartoonist, animated film and tv series director and painter who once embodied a certain idea of outrageousness and subversion?

An Asian cross-cultural trilogy of horror films from accomplished indie directors: "Dumplings", directed by Fruit Chan of Hong Kong; "Cut", directed by Park Chan-Wook of Korea; "Box", directed by Miike Takashi of Japan. The first film "Dumplings" was extended and turned into a full-length theatrical film of the same name.

Les Exces de Joy Karin's

During a 1980s crime wave, a cop’s daughter goes on a rampage to unearth her father’s attempted assassin and weed out deep-rooted corruption in the New York City Police Department.