60s black and white European film beach house

Monika from Stockholm falls in love with Harry, a young man on holiday. When she becomes pregnant they are forced into a marriage, which begins to fall apart soon after they take up residence in a cramped little flat.

A philistine in the art film business, Jeremy Prokosch is a producer unhappy with the work of his director. Prokosch has hired Fritz Lang to direct an adaptation of "The Odyssey," but when it seems that the legendary filmmaker is making a picture destined to bomb at the box office, he brings in a screenwriter to energize the script. The professional intersects with the personal when a rift develops between the writer and his wife.

It is the love story of the cardenche singers in Sapioriz, Durango, Mexico, and the murder of Maria Cristina Salazar Olvera, one of their daugthers.

This simple romantic tragedy begins in 1957. Guy Foucher, a 20-year-old French auto mechanic, has fallen in love with 17-year-old Geneviève Emery, an employee in her widowed mother's chic but financially embattled umbrella shop. On the evening before Guy is to leave for a two-year tour of combat in Algeria, he and Geneviève make love. She becomes pregnant and must choose between waiting for Guy's return or accepting an offer of marriage from a wealthy diamond merchant.

Television documentary about the making of Jacques Demy's 1964 film "The Umbrellas of Cherbourg".

An early example of vintage erotic film.

A glamorous man and woman walk along the beach in this parody of the sexual frankness in European Art House films of the late 1960s

Four people from an Arab generation roaming over the ruins of ideologies, causes and virtues of their predecessors. It portrays their intellectual and emotional nonchalance about what is happening around them in their daily lives and relationships. In a house whose architecture is a sixties' experiment in mixing modern and Islamic architecture, a stone and concrete cube suspended over a rocky shore bashed by the waves of the Mediterranean, by famed Iraqi architect Refaat Chaderji, we spend a night with four characters whose non-stop conversations and peculiar actions reflect the void and chaos they are living in.

"...it had no plot. The film was more a study of people's behavior, shot in 16mm with a hand-held camera, which was hidden most of the time. In its execution it was like my New York film 58-59, except that it was filmed in sunlight almost the whole time, on a public beach, and in the cafes nearby. There was no spoken commentary, only the actual sounds and typical Cuban jukebox music." - Nestor Almendros, A Man With a Camera

1961 Uruguay short film by Feruccio Musitelli