British movie mother daughters grow up

A story of love and life among the landed English gentry during the Georgian era. Mr. Bennet is a gentleman living in Hertfordshire with his overbearing wife and five daughters, but if he dies their house will be inherited by a distant cousin whom they have never met, so the family's future happiness and security is dependent on the daughters making good marriages.

Gender swaps. Drag. Regency era glamour with a post-modern flare. This satirical adaptation of Jane Austen’s classic novel “Pride & Prejudice” follows the perspective of the proud, rich, and austere Darcy, a woman who is determined to win Lizzy Bennet’s hand despite the objections of Darcy’s class-conscious aunt.

Four sisters come of age in America in the aftermath of the Civil War.

With their father away as a chaplain in the Civil War, Jo, Meg, Beth and Amy grow up with their mother in somewhat reduced circumstances. They are a close family who inevitably have their squabbles and tragedies. But the bond holds even when, later, male friends start to become a part of the household.

Two identical twin sisters, separated at birth by their parents' divorce, are reunited years later at a summer camp, where they scheme to bring their parents back together. The girls, one of whom has been living with their mother and the other with their father, switch places after camp and go to work on their plan, the first objective being to scare off a gold-digger pursuing their father.

Hallie Parker and Annie James are identical twins separated at a young age because of their parents' divorce. Unknowingly to their parents, the girls are sent to the same summer camp where they meet, discover the truth about themselves, and then plot with each other to switch places.

The Dashwood sisters, sensible Elinor and passionate Marianne, whose chances at marriage seem doomed by their family's sudden loss of fortune. When Henry Dashwood dies unexpectedly, his estate must pass on by law to his son from his first marriage, John and wife Fanny. But these circumstances leave Mr. Dashwood's current wife, and daughters Elinor, Marianne and Margaret, without a home and with barely enough money to live on. As Elinor and Marianne struggle to find romantic fulfillment in a society obsessed with financial and social status, they must learn to mix sense with sensibility in their dealings with both money and men.

Marianne Dashwood wears her heart on her sleeve when she falls in love with the charming but unsuitable John Willoughby, ignoring her sister Elinor's warning that her impulsive behavior leaves her open to gossip and innuendo. Elinor, sensitive to social convention, struggles to conceal her own romantic disappointment, even from those closest to her. Will the sisters learn that sense must mix with sensibility if they are to find personal happiness in a society where status and money govern the rules of love?

A drama based on the novel by Charles Dickens which tells the story of Arthur Clennam who is thrown into a debtor's prison. There he meets a young seamstress whose father has been imprisoned for twenty-five years. A film originally released in two parts.

Amy Dorrit – nicknamed Little Dorrit – was born in Marshalsea debtors prison, where her father has been incarcerated for a minor debt for the last 23 years. She lives with him in the prison at night, while going out to work as a seamstress during the day, for the unpleasant Mrs. Clennam. One day, Mrs. Clennam’s son, Arthur, returns home after spending years abroad, and falls head over heels in love with Amy. He marvels over the fact that his reserved mother has taken the girl under her wing, and senses a connection between Mr. Dorrit’s lengthy prison sentence and his own parents. He soon discovers that the shadow of the prison extends far beyond its walls, intervening in the lives of many, including the rent collector Pancks, the successful financier Mr. Merdle and the bureaucrats of the Circumlocution Office. (Stumfilm.dk)