Movie that ends with cars driving around circle like a carousel

Deckard Shaw seeks revenge against Dominic Toretto and his family for his comatose brother.

Former cop Brian O'Conner partners with ex-con Dom Toretto on the opposite side of the law. Since Brian and Mia Toretto broke Dom out of custody, they've blown across many borders to elude authorities. Now backed into a corner in Rio de Janeiro, they must pull one last job in order to gain their freedom.

When a mysterious woman seduces Dom into the world of crime and a betrayal of those closest to him, the crew face trials that will test them as never before.

Two protagonists riding around a set in vintage cars, arriving at different locations reminiscent of those in old Hollywood movies.

Life is just driving in circles..

“I don’t drive, but I know people who’ll drive 100 metres to go to the shops. Our society is obsessed with the car, with coming and going, getting somewhere. I used very intricate matting, some shaped like knives. I wanted the cars to slice each other in two, creating a kind of hurdy gurdy atmosphere…an abstract rushing to and fro, going nowhere. The first half of the film is silent. The second half, a grainy dupe of the same images, has sound and is far more urgent and aggressive.” (Paul Winkler)

A single-camera position film of a merry-go-round at an unidentified location. The carousel makes about ten revolutions during the film.

A light, humorous look at the motor car and the great North American itch for a place on the road. From the comparative peace of Honest Joe's used-car lot, this film hustles you onto our public speedways, where hot rubber erases any distance between all points. Slow-motion and pop-on-pop-off photography make this a provocative, revealing study of motormania unlimited. A 1960 black and white production. (Also released under the title 1/3 Down and 24 Months to Pay.)

Two characters drive around, while being followed. Can they stop?