guy in newspaper job missing film frame goes to iceland

Walter Mitty, a daydreaming writer with an overprotective mother, likes to imagine that he is a hero who experiences fantastic adventures. His dream becomes reality when he accidentally meets a mysterious woman who hands him a little black book. According to her, it contains the locations of the Dutch crown jewels hidden since World War II. Soon, Mitty finds himself in the middle of a confusing conspiracy, where he has difficulty differentiating between fact and fiction.

A timid magazine photo manager who lives life vicariously through daydreams embarks on a true-life adventure when a negative goes missing.

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A photographer travels along the south coast of Iceland in an attempt to capture an undying image of the lighthouse in Hrolllaugseyjum. As he battles the forces of nature his journey falls apart while death waits around the corner.

There is very little information available online on this little gem, the first 'feature-length' film shot exclusively in Iceland by an Icelandic director, the pioneer Loftur Guðmundsson. Director and crew travelled all around the country with the ambitious goal of documenting all the aspects of the local life at the time. Fishing plays an important role (being then, by far, the number one national industry); one can also witness the humble beginnings of 'city-life' in the capital, one of the first (or was it the very first?) cars driving in Iceland, beautiful pastoral shots of farm-lands, ladies posing in the national costume, as well as fighters indulging in the national sport, 'glyma'. The 21st century traveller will be able to recognize a number of landmarks. The images are often naive, genuine, and captivating. In my opinion one of the most valuable Icelandic films. --Ewolve

an unforgettable journey across the Icelandic landscape as mixing live action and pixilation to produce an enchanting, timeless short film. Shot on Kodachrome Super 8mm in western, northern, eastern and southen Iceland including interior Iceland in late summer 2004. Dedicated to Buddy King Leiser.

When the Icelandic banks collapsed in the autum of 2008, taking most of the economy down with them, Ari Alexander took his camera and started to film what was happening in this tiny but relatively stable and affluent society. He filmed the ever-larger protests that in the end led to the downfall of the government. He took interviews with people shocked and confused by what was going on around them. He went to conferences and seminars where scholars tired to work out what had happened and what should happen next. He followed the endless debates and negotiations around the Icesave-accounts set up by Icelandic banks abroad. Every day brought fresh news of the complicated and often illegal deals made by financiers and bankers in the years leading up to the collapse.

A film from the west fjords of Iceland which tells the story of a young students returning from abroad to visit the place in which he was brought up.

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Obsessed with searching for the origins of a scene from an old film, an Australian man and his friend visit Iceland. Punk music, politics and elves provide the backdrop to his search.