sixties british movie about two young school girls running around NYC spying

The Girl from U.N.C.L.E. is an American spy-fi TV series that aired on NBC for one season from September 16, 1966 to April 11, 1967. The series was a spin-off from The Man from U.N.C.L.E. and used the same theme music composed by Jerry Goldsmith, which was rearranged into a slightly different, harder-edged arrangement by Dave Grusin.

Two Americans in England--a wealthy playboy and an actress--join forces to stop international spies.

Scenes from New York in the 1960s. Four young people, friendship, jealousy, separation.

During London's swinging sixties, young Jewish Vivien Epstein follows her lover into danger and when he is caught between life and death, she finds herself going undercover with the fascists, not only for him but for the sake of her country.

The story of three girlfriends who came of age in the 1960s, and how that period affected each of their lives.

Two pretty chorus girls, Cecile and Brigitte, who have been sentenced to prison terms, agree to undertake risky undercover work for Senator Conolly in exchange for their freedom. Investigating the disappearance of well-known personalities, as well as young women, Conolly wants the dancers to get hired by a Canary Islands nightclub to keep tabs on the owners, Mr. and Mrs. Forbes...

Three girls head from boarding school to NYC, arriving by bus at Port Authority and vowing to "get into trouble." These "girls gone wild" forerunners head to a Greenwich Village bar where they copycat a girl stripping to dance topless atop the bar, then head to a Village party and finally crash a posh uptown party before catching the bus home.

In 1960s London, sisters Gerry, Mandy and Jo don male disguises and rob jewelry stores. Gerry also takes a job at a hip magazine in order to scope out a potential target. Sparks fly, however, between Gerry and American journalist Daniel Wheaton, and their budding romance threatens to expose the sisters' latest operation.

After the big success of the first part the film-makers apparently felt pressured to launch a new "investigation" and gather new material. Therefore, Friedrich von Thun again ventures out into the streets, this time of Berlin, to ask schoolgirls about their sexual experiences. The invinted guests talk about (allegedly) true events. Schoolgirls that seduce their teachers, runaway girls that have been robbed and who have to prostitute themselves or innocent girls that have been drugged and raped...