Kill me, please just kill me

Barra da Tijuca, West Side Zone of Rio de Janeiro. A wave of murderers plague the area. What starts off as a morbid curiosity for the local youth, slowly begins to spoil away at their lives. Among them is Bia, a 15-year-old girl. After an encounter with death, she will do anything to make sure she is alive.

Doctor Kruger dreams to insert “the suicide in modernity”. He offers to his patients the service of a private clinic where one can die in all peace, champagne glass to the hand. But in the private clinic of “ideal death”, nothing occurs as envisaged.

A girl returning from Canada after 4 years is abducted in Kharar, Punjab. The police is left clueless as the kidnapper is always one step ahead of them.

The viewer enters the Internet along with the producer, who uses a pseudonym in order to interview people who engage in a highly problematic and taboo practice: Nazi-fetish-based sadomasochism. Video images created directly on the computer and stories from the artist's memory ask such questions as: How does history affect the body? How are cultural memories transmitted? And, when historical events become part of a culture's discourse, how does the meaning of the original event shift?