70s Italian movie with diving bell atlantis and giant laser

A team of scientists working to raise a sunken Russian nuclear submarine on an ocean platform off the coast of Miami, Florida, unearth an ancient Atlantean relic from the sea floor and bring in an expert to make some sense of it. But while attempting to raise the sub, radioactive leakage from its missles triggers the re-emergence of Atlantis, and the resulting tidal wave destroys the platform and leaves only a small group of survivors. Rescued by two Vietnamvets-turned-heavies who are out relaxing after their latest job, their boat eventually runs aground on a Carribean island nearby where, upon going ashore, it is discovered that everything has been destroyed and everybody killed. The culprits, a vicious group of well-armed raiders, and their leader, Crystal Skull, are descendants of Atlantis' original race who set about reclaiming the world and adding the survivors to the list of victims as they struggle to stay alive and defeat the raiders and send Atlantis back to the ocean floor.

Daniele is a young man from Sant’Erasmo, an island on the edges of the Venice Lagoon. He lives on his wits, isolated even from his peer group who are busy exploring an existence of pleasure-seeking expressed in the cult of the barchino (motorboat). This obsession focuses on the building of ever more powerful engines to transform the little lagoon launches into dangerously fast racing boats. Daniele too dreams of a record-breaking barchino, one that will take him to the top of the leader board, but everything he does to further his dream and win respect from the others turns out to be tragically counterproductive. The decline that erodes the relationships, environment and habits of a rootless generation is observed from the timeless perspective of the Venetian landscape and its island outskirts: the point of no return is a foolish, vestigial tale of male initiation. Violent and destined to fail, it explodes dragging the ghost city along on a psychedelic shipwreck.

A story of a film-making crew traveling in Italy.

Two boys dream of escaping their island town to go on an adventure on the mainland, a son and his lover fight to escape the clutches of an overbearing father, and a priest is shocked when some local students plan to put on a homoerotic rendition of the miracle of Lazarus. Immerse yourself in Italian culture, humor and lush landscapes in these beautiful short films from Italy.​ The 5 short films are: Uproar [Pipinara] (2017); Tidal Time [L'ora di porto] (2018); The Mannequin [Il manichino] (2015); Lazarus Come Out [Lazzaro vieni fuori] (2015); Glue [Colla] (2016).

An italian film.

Three pirates are saved from a shipwreck and seize a galleon bound for Maracaibo, where they will save the governor from a conspiracy. Italian adventure movie directed by Steno.

Two men answer the call of the ocean in this romantic fantasy-adventure. Jacques and Enzo are a pair of friends who have been close since childhood, and who share a passion for the dangerous sport of free diving. Professional diver Jacques opted to follow in the footsteps of his father, who died at sea when Jacques was a boy; to the bewilderment of scientists, Jacques harbors a remarkable ability to adjust his heart rate and breathing pattern in the water, so that his vital signs more closely resemble that of dolphins than men. As Enzo persuades a reluctant Jacques to compete against him in a free diving contest -- determining who can dive deeper and longer without scuba gear -- Jacques meets Johana, a beautiful insurance investigator from America, and he finds that he must choose between his love for her and his love of the sea.

The Italian Biglia family home movie

A documentary concerning the violent Italian 'poliziotteschi' cinematic movement of the 1970s which, at first glance, seem to be rip-offs of American crime films like DIRTY HARRY or THE GODFATHER, but which really address Italian issues like the Sicilian Mafia and red terrorism. Perhaps even more interesting than the films themselves were the rushed methods of production (stars performing their own stunts, stealing shots, no live sound) and the bleed-over between real-life crime and movie crime.