Has giant human people walking in desert

When an abused wife grows to giant size because of an alien encounter and an aborted murder attempt, she goes after her cheating husband with revenge on her mind.

A remake of the 1958 film about an abused woman who grows to giant size following an alien encounter and sets out for revenge against her husband who tried to kill her.

A bizarre adventure in which a young boy is chased by a masked phantom holding a severed arm in a graveyard. A man with one arm appears and is handed the severed arm by the phantom. Then a giant woman appears enveloping the boy. An unsettling and delirious apocalyptic atmosphere pervades the movie, designed as a trailer for a "film of the future."

Animated figures of a mantel clock - the boy Tock and his sister Tick set off to travel through the pages of the book “Travel to the Land of the Giants”. There they learn about the great construction projects of the Soviet Union and get acquainted with production processes.

Lt. Col. Glenn Manning is inadvertently exposed to a plutonium bomb blast and although he sustains burns over 90% of his body, he survives. Then he begins to grow, but as he grows he starts losing his mind. By the time he stops he is 50 ft tall, insane and is on the rampage.

Story, paper- mache characters, sets, animation, camera works, editing and sounds created by 12 children, ages 6-12, at the Yellow Ball Workshop. Red Grooms and Dominic Falcone were also involved with the production

A few men and women who went to the desert for a picnic meet two "giants". The giants fight because of one of the girls and their work is dragged to the city. Urban civilization gradually turns them into two different beings. Desert giants learn how to live and love in the city and then return to their village with the girls they have married.

One march ends, a journey begins. In a desert land, the last breath of a giant creature spurs the exodus of an entire people.

In a vast expanse of desert sands two men exchange health tips: “Wild boar meat is good for your lungs,” says one. “Wild boars and groundhogs,” replies the other. They press bunches of straw into the sand to combat the desertification and sandstorms here in the Tengger Desert of northwest China. A little later we see other people, men and women, doing the same work. In this immense swathe of sand—the Tengger is about the size of the Netherlands— their labor looks like a Sisyphean task. Perhaps it is due to the resulting sense of pointlessness that the conversations start to take on a more serious tone. One of the two men tells of how his wife left him, and how he had to raise his child alone. He once envisioned a different kind of life, but things go as they go. “Our fate is like an unbreakable wall,” he observes, with a resigned tone.