Movie opens with boy on balcony and an atomic bomb

The second installment of Frank Mosley's Perception Trilogy, inspired by Greek philosopher Plato's quote, "We can easily forgive a child who is afraid of the dark; the real tragedy of life is when men are afraid of the light." It is an examination of responsibility during the creation of the Atomic bomb during 1945. Shot on a soundstage to invoke the sense of theater, it highlights a moment in time where innocence is lost and only uncertainty lies ahead. Michael Morse is an anonymous man working for an anonymous sector of the Manhattan Project when he gets two phone calls in quick succession: that the atomic bomb has been completed and that his wife has just given birth to their son at the local hospital. What happens next is a fusing of past, present, and future, interweaving in the head of a man doomed to be the messenger of destruction.

A story about the effect of the atomic bombing of Hiroshima on a boy's life and the lives of the Japanese people.

August 6th 1945 a new sun rose over Hiroshima. Time froze as the atomic bomb Little Boy detonated.

On the 6th of August 1945, the world’s first nuclear bomb “Little boy” is dropped on Hiroshima. The film title is about Kim Hyeong-ryul who has become a “little boy” because of the atomic bomb “Little boy.” The two little boys have many things in common; small but powerful, present though unseen. However, the former has tremendous destructive power while the latter overcomes the destruction and takes his steps towards recovery and revealing his identity. Little Boy 12725 depicts story of Kim Hyeong-ryul, second generation victim of atomic air raid, through his inner world.

The film combines teenage lust and deranged delinquency to create a cautionary tale for the ages.

When a pooch is irradiated by a nuclear plant and threatens the town, only a teenage boy can redeem him.

Using only archive film and a new musical score by the band Mogwai, Mark Cousins presents an impressionistic kaleidoscope of our nuclear times – protest marches, Cold War sabre-rattling, Chernobyl and Fukishima – but also the sublime beauty of the atomic world, and how x-rays and MRI scans have improved human lives. The nuclear age has been a nightmare, but dreamlike too.

A parent concerned about the violence and possible explosion of an atomic bomb on the city of Montevideo. The scene is a nightmare, but articulates closely with socio-political reality of the time.