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assholes as mouths
R()und Brackets
Vanessa, a runaway bride, and Emanuela became friends on the ferry to a tourist resort. Together they will take part of the chaotic life of the resort.
()
P. Adams Sitney, Professor of Visual Art at Princeton University, wrote a short essay for Artforum International "Medium Shots: the films of Morgan Fisher" in which he describes the film "()." "Fisher's most recent film, (), succeeds astonishingly where Frampton's parallel effort, Hapax Legomena: Remote Control (1972) failed; it uses aleatory methods to release the narrative unconscious of a set of randomly selected films. () is made up entirely of "inserts" from feature films organized according to Oulipian principles. Inserts were usually shot by assistants when star actors, large crews, or expensive sets were not needed. These include details of weapons, wounds, letters, signs, tombstones, machinery, games of chance, timepieces, money, and even intimate caresses.
The Greasy Strangler
Ronnie runs a Disco walking tour with his son, Brayden. When a sexy woman takes the tour, it begins a competition between father and son for her love. It also signals the arrival of an oily strangler who stalks the streets at night.
Ass to Mouth 3
As if getting fucked up their gaping asses isn't nasty enough, these filhty whores take it another step further by sucking those very same dicks that were just up their booties.
Assholes
There’s never a shortage of “Assholes” to be licked, fingered, played with, and invaded by the piggish sex stars of Lucas Raunch! Watch as over 30 of gay porn’s horniest guys rim and play with the tightest and hottest holes the industry has to offer in over two hours of intense ass play.
Assholes: A Theory
Some people grapple with the moral challenges of treating human beings decently. Others are just… assholes. Inspired by Aaron James’ New York Times bestseller of the same name, this documentary investigates the breeding grounds of contemporary ‘asshole culture’ — and locates signs of civility in an otherwise rude and nasty universe. Venturing into predominantly male domain, this film moves from Ivy League frat clubs to the bratty princedoms of Silicon Valley and the bear pits of international finance. Why do assholes thrive in certain environments? What explains their perverse appeal? And how do they keep getting elected?
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