The song guantanamero is playing in the scene

During the revolution, a high-stakes gambler arrives in Cuba seeking to win big in poker games. Along the way, he meets and falls in love with the wife of a Communist revolutionary.

A lesbian, an aspiring actor, an aspiring singer, a low-class marriage, a neighborhood community and 2 renowned directors have memorable less-than-24-hour-long experiences while living in/visiting the capital of Cuba.

Based on the journals of Che Guevara, leader of the Cuban Revolution. In his memoirs, Guevara recounts adventures he and best friend Alberto Granado had while crossing South America by motorcycle in the early 1950s.

With the start of the war, young people in Tehran were riding motorcycles and having fun. Martyr Chamran asks them to come to the battlefield with their skills in motorcycling and to be present in the headquarters of irregular wars. The director has gone to these young people of yesterday, each of whom is working today. Jalil Naqad, who fought the enemies on the Iranian fronts during the holy defense and was wounded there, today, despite the fact that half of his body was touched and he lost the ability to speak.

Short stop-motion animation by Tomoyasu Murata. A remake of an old movie called "tomorrow".

A short film by Yuki Makabe.

Set in the early 1970s, it tells the story of a Chinese-Japanese student who returns to her native Hong Kong after graduating from a university in London. Once she arrives back home, she and her family begin to fight, largely due to cultural and societal conflicts between her mother and herself.

The piece, an experiment that begins on the skin, in the skins of a family that spoke in silence about a tropical dictatorship in the 1980s, the dictatorship of a house. The skins whispered silently and their voices were heard in the corners, on the walls, in the cooking pot, on the soupspoon, on the wet beans. As the soldiers marched in the streets, the echo of their footsteps resonated in the walls of the home of a military man’s family, a house where the words were forgotten. With few oral resources, some photographs and some stolen confessions, the director proposes an exploration that goes from the personal to the political through a fictionalized experience of the family story related to the dictatorship of Panama.

A story about a simple man from the mountains, Guaguasi, who falls in love with a beautiful chorus girl, Marina, during the Cuban Revolution. Guaguasi joins the rebels and arrives in Havana at the end of Batista's dictatorship, and, in the midst of political turmoil, is swept off his feet by the mesmerising Marina. The story celebrates the vitality and lunacy of the Revolution period with surrealism, humor and sensuality and is a compassionate metaphor about the human condition.

After a violent storm, Ali awakens on a deserted beach, sick and disoriented. They'll be looking for him and he must keep moving. Ivan, a local Cuban, takes Ali to the apartment of his sister Manuela, a dancer in Havana. At first, she is apprehensive to take in this tormented stranger, but she relents as she feels drawn to this mysterious person who has shown up on her door step. Ali is haunted by nightmares, which bring him to the horror of the interrogation room at Guantanamo, and by startling visions linking his past and his present life. But are these nightmares flash backs to his experiences in the prison or just dreams of a tortured soul?