Ridding a chopper motorcycle into the sunset ending

Wyatt and Billy, two Harley-riding hippies, complete a drug deal in Southern California and decide to travel cross-country in search of spiritual truth.

The chronicle of the mind-blowing journey that was Hollywood during the seventies; the true and gripping story of the last golden age of American cinema, an exalted celebration of creativity and experimentation; but also of sex, drugs and rock 'n' roll: a turbulent and dark tale of ambition, envy, betrayal, hatred and self-destruction.

A lone biker rides north. He's on the blacktop under an endless blue sky as he races across California's Mojave Desert. The rider is helmetless, defying the law, and his brawny tattooed arms and fists, clamp down hard as he blasts down the road at over 100 mph. Like a pony express rider, this man is on a mission. Two months ago, he vowed he'd build a chrome monster and ride it from Long Beach, Calif., all the way to Sturgis, S.D. — 1,400 miles nonstop. So, in just eight weeks, this biker/designer created an amazing, one-of-a-kind, sleek, mean chopper from the ground up, and today he's underway. Three hundred miles from home, with 1,100 miles to go, he is headed for the biggest, raunchiest, loudest, wildest, craziest motorcycle jamboree in the world: the Sturgis 2001 Black Hills Classic.

CHOPPER is a modern-day re-imagining of the headless horseman of Sleepy Hollow. After taking a strange new drug with supernatural side effects at a Daytona Bike Week party, a troubled young bartender and her biker friends start seeing ghosts. They are stalked by the Reaper, a headless ghost on a motorcycle who collects the souls of sinners in the afterlife.