American prosecutor defends brute looking French man

Tough narcotics detective 'Popeye' Doyle is in hot pursuit of a suave French drug dealer who may be the key to a huge heroin-smuggling operation.

A documentary on the production of The French Connection (1971).

After carrying out a flawlessly planned hit, Jef Costello, a contract killer with samurai instincts, finds himself caught between a persistent police investigator and a ruthless employer, and not even his armor of fedora and trench coat can protect him.

The staff of an American magazine based in France puts out its last issue, with stories featuring an artist sentenced to life imprisonment, student riots, and a kidnapping resolved by a chef.

Discover how a war criminal escaped justice for decades before finally facing trial. It's 1972, and Franck Jourdan (Laurent Gerra), a reporter in a French news magazine, is getting obsessed in its investigation. Its objective: to bring Paul Touvier (François Morel) to trial for crimes against humanity. During his quest, Jourdan discovers how Touvier remained hidden from the authorities all those years.

A lawyer defends his client so brilliantly that this one is released at once. But if the attorney expected thanks, he can only be disappointed as his client not only does not show him his gratitude but he reprimands him bluntly as well. The thing would be surprising if one did not specify that the accused, in order to escape all the small domestic worries, WANTED to be sent to prison. As compensations, the client finally settles down at the lawyer's!

When political thugs murder an opponent's volunteer and also kill a cop, chief inspector Verjeat believes the politician who hired them is as guilty as the murderous goon. Verjeat's pursuit of the councilman, Lardatte, gets him a warning from his superiors. When he embarrasses Lardatte while disarming a hostage (the dead volunteer's father), Verjeat is told he's being transferred within a week. He speeds up his hunt for the goon and, with Lefévre, one of his young detectives, he engineers a complicated scheme to buy more time before the transfer. How should Verjeat play out his values of honor and duty?

Prosecutor Maillard can rejoice: he has just obtained the death sentence of an accused accused of murder. It is the third head he gets at the assizes. There followed an evening of rejoicing with his wife and friends, including the prosecutor Bertolier. The latter's wife is Maillard's mistress. The lovers left alone, the condemned man, Valorin, burst into the room. He managed to escape during his transfer to the remand center. Valorin immediately recognized Bertolier's wife. And for good reason: at the time of the crime, they were together in a brothel. Stunned by the miscarriage of justice he has just committed, Maillard then tries to rehabilitate Vallorin while trying to avoid a scandal in the judiciary. He then calls Bertolier to the rescue. Valorin is opportunely killed "accidentally" and ... everything will go back to "order".

After a French prostitute is found dead, one of her regular clients is tried and convicted for her murder. He is eventually sentenced to death but dies in a high speed pursuit after attempting to escape custody. Soon, the witnesses that testified against him end up being systematically murdered by a mysterious killer wearing black gloves.

Paul Berthier, an ambitious public prosecutor, is witness to the accidental drowning of a young girl in the Charente but does nothing to help. It starts to look like the girl was murdered, and the case lands on Berthier's desk. Suspicion turns to Guillaume Vauban, the rich son of a local industrialist and ex-boyfriend of the dead girl. Paul Berthier finds himself entangled in a web of lies as he opens the case against Guillaume, who has now been arrested. With a conscience far from clear, Berthier agrees with the judge's decision to remand the young man in custody. Through cowardice Berthier clings to his reputation, determined to save face at any cost. Drunk with judicial power, he's caught in a downward spiral.