Movie about English village wanting independence and be a different country

The Duchy of Grand Fenwick decides that the only way to get out of their economic woes is to declare war on the United States, lose and accept foreign aid. They send an invasion force (in chain mail, armed with bows and arrows) to New York and they arrive during a nuclear drill that has cleared the streets.

A look at whistleblowers and their importance in ensuring and strengthening democracy.

The Magnificent Seven Deadly Sins is a 1971 British comedy film directed and produced by Graham Stark. Its title is a conflation of The Magnificent Seven and the seven deadly sins. It comprises a sequence of seven sketches, each representing a sin and written by an array of British comedy-writing talent. The sketches are linked by animation sequences. The music score is by British jazz musician Roy Budd, cinematography by Harvey Harrison and editing by Rod Nelson-Keys and Roy Piper. It was produced by Tigon Pictures and distributed in the U.K. by Tigon Film Distributors Ltd..

Two lowlifes with active fantasy sex lives deliver potatoes to various restaurants and grocers.

A director leaves the city and returns to his secluded small village, intending to make a movie based on the village’s historical legends. However, the legends themselves are vague, and the amateur team lacks funds and experience. Finding actors proves difficult, and team members have completely different understandings of the creative process. As a result, making the movie becomes increasingly challenging.

A clash of cultures unfolds when a young British photographer and her boyfriend make an expedition to the mountains of Georgia, uncovering ancient myths, questionable customs, and the struggles of her own relationship, finding that some boundaries are uncrossable.

Storyville film-maker Luke Holland , who has lived in Ditchling on the East Sussex Downs for the last ten years, explores aspects of village life past and present. He begins with a look at how economic uncertainty and the controversial ban on hunting with hounds have adversely affected a local farming family.

A young couple wants to break free of the antagonistic nature of their home village.

Set in Claverly Village, it follows the fortunes of the Rookebys (Clements) and the ne'r-do-well Appleyards (Williams) from the time of the Normans, 1588, 1804, 1914, and 1940. Made to support morale during the war, its message is basically that you can't suppress the British; they've been there since the beginning; they'll be there to the end.