A Japanese woman kills a man with a violin string

1930s Korea, in the period of Japanese occupation, a new girl, Sookee, is hired as a handmaiden to a Japanese heiress, Hideko, who lives a secluded life on a large countryside estate with her domineering Uncle Kouzuki. But the maid has a secret. She is a pickpocket recruited by a swindler posing as a Japanese Count to help him seduce the Lady to elope with him, rob her of her fortune, and lock her up in a madhouse. The plan seems to proceed according to plan until Sookee and Hideko discover some unexpected emotions.

This documentary chronicles the religious life of an order of Catholic nuns in Canada: Les Petites Soeurs de la Sainte-Famille (The Little Sisters of the Holy Family). Along with interviews with the Sisters and footage showing how they conduct their everyday lives, the movie also features interviews with their priest-supervisors, doctors, other priests, and members of the Church hierarchy.

Japanese crime film.

An unusual blending of elements comes together in this crime story drawn from Japanese history. During the early Meiji period a number of “Dokufu” (Poison Women) committed a significant number of murders. These crimes were most often committed by wives on their husbands in order to be together with their lovers. At that time women were executed in the same manner as men, to wit: by being decapitated. This is the story of the most notorious of all, Takahashi Oden who, in 1879, was the last woman executed by decapitation in Japan.

In feudal Japan, women are vulnerable, in need of protection, and capable of deception. Jokichi of Mikogami, a drifter, has not yet fully revenged the death of his wife and son. He searches for Kunisada Chuji, who in turn has hired the knife-throwing Windmill Kobunji to kill him. Kobunji and Jokichi meet in the winter, near Sasago Pass, when both have rescued women: Jokichi has saved the lute-playing Oyae whose clan and whose lover want her dead; Kobunji has rescued Oharu, a well-born woman married to an innkeeper. Is this rescue a whim or something deeper? And why does Jokichi become the consumptive Kobunji's protector? What ultimately will Jokichi do about Oyae?

A woman is being attacked by the yakuza of the Mitsuyoshi group ... A man with a pistol appears dashingly and shoots the yakuza without question now the yakuza want him dead

Japanese crime film

On May 18, 1936, Abe Sada, a former geisha, kills her lover by "erotic asphyxiation", then slices his sex and inscribes his name in his flesh. In an ultra-controlled and militarized Japan, the press is passionate about this transgressive incident, while the murderer defends herself, presenting her crime as an act of "crazy love". Relayed to the West, this murder conveys the image of a fantasized Japan, where all impulses are given free rein.

A woman accidentally kills her husband during S&M play.

At the end of October, Sueko Yamane, a widow living alone, is strangled to death in her home in the Togura district on the outskirts of Matsuyama City, Ehime Prefecture. Money had been stolen, and it appeared to be a robbery and murder. Kaharu Ginsaku (Tomokazu Miura), head of the First Investigative Division at the Ehime Prefectural Police Headquarters, who was in charge of the investigation, did not anticipate that this case would turn out to be an unexpectedly difficult case. At the end of that year, in a forest overlooking the Genkai Sea in Karatsu City, Saga Prefecture, Kyushu, Kazuo Shimosaka (Shiro Sano) puts his hands around the neck of his girlfriend, Nobuko Mano (Saki Takaoka), and strangles her to death.