Family moves into a house as caretakers Japanese film

A piano composer's family moves into a new house; when his pregnant wife collapses from working to support the family, he hires a hot housemaid to help with housework.

Eun-yi is hired as a maid in a mansion owned by a wealthy businessman. He quickly starts seducing his employee who seemingly has little choice but to comply with his sexual advances. Soon the women of the family plot against Eun-yi who must fight an equally devious battle to protect herself.

Apartment for newlyweds. Sachiko lives with her husband, Tadao Yamanaka who works at an advertising agency. A film crew consisting of Tetsuo and Mami arrives to film the innocent couple, who have yet to discover their sexual passion. At first, the Yamanakas are confused, but they gradually become more excited, and eventually get lost in each other , ignoring the director's instructions.

Suzumoto and Sumi creatively master their independent lives while living in a park in Nagoya. In contrast, a middle-class family is caught up in pressure and routine. The two threads of the story gradually intertwine, until a tragic escalation occurs. Shot with a black-and-white documentary feel, yet highly stylized, the film analyzes the contradictions and pathologies of modern society.

In a house in the outskirts of Tokyo, there lives a family of eight. Such a large family is rare these days, however not one of them is related by blood. They all lost a loved one in the same holiday accident. Moved by Shogo's suggestion that they all move in together, they have gathered in this house. Each has their own issues and it makes for the start of a tumultuous home life. Tsuyoshi Domoto stars as the passionate yet sentimental lead, Shogo. Diametrically opposed in character and thinking is Tomohiko (Yusuke Santamaria). The story centres on these two as the butt heads at every turn, and the eight grow closer together as a family. This is a human drama full of heart and mixed with laughs and tears depicting a group of deeply wounded people beginning to believe in tomorrow and live life more positively.

A young Japanese boy's life is changed when his sister returns to the small island, full of eccentric characters, where he lives.

When Koichi Takahasi (Miutani) is transferred from Tokyo to a small village in Iwate Prefecture, they set up hoe in a two-hundred year-old farmhouse. The family is split between those who hate the move and those who are happy. Fumiko (Yasuda), the wife, is unhappy at the change and doesn’t get on with her elderly neighbours, Azumi (Hashimoto) is sad about having to transfer to a new school. Koichi’s mother, Sumiyo (Kusabue), rather likes the new community while young Tomoya Takahashi (Hamada) really enjoys the new move because he can play outdoors. Koichi takes note of the split in the family but finds himself struggling at his new job. Thankfully the house has Zashiki Warashi (yokai) living there who will unite them with their antics. Judging by the poster these antics won’t be terrifying.

Nobuko is a plain, unattractive woman with disheveled hair, and is hired as a housekeeper in the Inamura residence in Tokyo. The Inamuras are a family of six. The father, Tatsuya, is the head of a university hospital's department of internal medicine. He lives with his wife Haruko, their three sons, and Tatsuya's mother, Shigeko. Although the Inamuras appear to be a happy family, Nobuko soon uncovers the truth.

A down-and-out actor living in Tokyo is hired as a token American guy for a Japanese rental-family company, leading him on an unexpected journey of self-discovery through the roles he plays in other people’s lives.

An early Japanese film