kinetic sculpture

A bumbling tramp desires to build a home with a young woman, yet is thwarted time and time again by his lack of experience and habit of being in the wrong place at the wrong time..

Crunch Calhoun, a third-rate motorcycle daredevil and part-time art thief, teams up with his snaky brother to steal one of the most valuable books in the world. But it's not just about the book for Crunch — he's keen to rewrite some chapters of his own past as well.

A gripping tale of intrigue and mystery in the art world, this film traces the history of a collection of Post-Impressionist paintings - worth billions - which became the subject of a power struggle after the death of its owner. Dr. Albert Barnes.

With a magical new invention that promised to revolutionize blood testing, Elizabeth Holmes became the world’s youngest self-made billionaire, heralded as the next Steve Jobs. Then, overnight, her 10-billion-dollar company dissolved. The rise and fall of Theranos is a window into the psychology of fraud.

Art and architecture unite in this performance of shifting metallic shapes that skim the ground like futuristic sculptures on parade.

animation of an animation that makes a sculpture

The inherent kinetic qualities are brought into actuality in GYROMORPHOSIS, as seen in the construction-sculpture of Constant Nieuwenhuys of Amsterdam. To realize this aim I have put into motion, one by one, pieces of this sculpture and, with color lighting, filmed them in various detail, overlaying the images on the film as they appear and disappear. In this way I have hoped to produce sensations of acceleration and suspension which are suggested to me by the sculpture itself. – Hy Hirsh. Preserved by the Academy Film Archive in 2000.

Art in glorious motion. Bright, colourful and often intensely dynamic, the 1970 'Kinetics' show at London's Hayward Gallery was a major international showcase of the new active sculptural art. Works by Jean Tinguely, Nam June Paik, Peter Logan, Takis, Jesus Raphael Soto and many others dazzled a wide-eyed public. This priceless film record of the show captures a kaleidoscope of neon lights, rotating metal, squirting water and stroboscopic projections. Director Lutz Becker, of the Slade School of Art Film Unit - who would go on to direct Double-Headed Eagle (1973), a documentary account of Hitler's rise to power - uses a variety of textural, electronic sounds (courtesy of Peter Sahla) to evoke the unusual experience. The show was enormously popular, with visitors filling out the gallery day after day.