a woman says "away in the sea of red"

Follow the mythic journey of Paul Atreides as he unites with Chani and the Fremen while on a path of revenge against the conspirators who destroyed his family. Facing a choice between the love of his life and the fate of the known universe, Paul endeavors to prevent a terrible future only he can foresee.

A man and a woman meet in the emptiness of the open sea. A meeting that will forever change what it is.

The Red Sea is a subjective testament to an emotional and aesthetic journey. Touching on sensuality, pain and the inevitability of loss, the film moves across territories of significant yet unresolved images. As in a dream text, the viewer is left in a state of interpretation with great emphasis on the experiential.

In a secret place, there exists Wendy. Restless and with no grand objective, she dances in fear. The colour red haunts her, obfuscating her reality in a sad shade of pink. A macabre perception of femininity composed by the troubled imagination of its director, who has moulded his transgender experience into a semi-autobiographical absurdist horror, which dissects his experience of gender - both physically and mentally.

A woman in mental distress comes to the beach, has a dream, and then departs.

A haunted woman named Ida journeys from Germany to Jordan, to an eerie and deserted port town on the Red Sea where her partner, Ismail, recently disappeared. Wandering through desolate bars, hotels, and offices, Ida attempts to feel Ismail’s presence one last time and to say goodbye.