a screenwriter gets custody of a young woman

A college graduate goes to work as a nanny for a rich New York family. Ensconced in their home, she has to juggle their dysfunction, a new romance, and the spoiled brat in her charge.

Tom Ripley is a calculating young man who believes it's better to be a fake somebody than a real nobody. Opportunity knocks in the form of a wealthy U.S. shipbuilder who hires Tom to travel to Italy to bring back his playboy son, Dickie. Ripley worms his way into the idyllic lives of Dickie and his girlfriend, plunging into a daring scheme of duplicity, lies and murder.

The stars of director of the film reflect upon their experiences.

Headstrong yet aimless, Will Hunting has a genius-level IQ but chooses to work as a janitor at MIT. When he secretly solves highly difficult graduate-level math problems, his talents are discovered by Professor Gerald Lambeau, who decides to help the misguided youth reach his potential. When Will is arrested for attacking a police officer, Professor Lambeau makes a deal to get leniency for him if he gets court-ordered therapy. Eventually, therapist Dr. Sean Maguire helps Will confront the demons that are holding him back.

Documentary featurette for the 15th Anniversary Edition of Good Will Hunting, including interviews with Matt Damon, Ben Affleck, Robin Williams, Gus Van Sant, Chris Moore, and Kevin Smith.

A snobbish investor and a wily street con-artist find their positions reversed as part of a bet by two callous millionaires.

A once-loving pair is slowly growing apart, but -- after magically swapping bodies -- they begin to learn some new things about each other.

Katherine Watson is a recent UCLA graduate hired to teach art history at the prestigious all-female Wellesley College, in 1953. Determined to confront the outdated mores of society and the institution that embraces them, Katherine inspires her traditional students, including Betty and Joan, to challenge the lives they are expected to lead.

"

From my first scraps of professional film animation to the latest wonders of digital editing, this raucous bit of 3-screen mayhem encompasses most, if not all, of my filmmaking career and adult life. The lynchpin sits upon the looped, repeating images that reverberate next to a Hollywood studio Will Rogers’ biopic, ’The Story of Will Rogers’ (1952), that stutters away in tune to hand-painted graphics and 35mm movie and still shots flashing by of family and friends. This includes loops of the birth of my daughter Clara Estelle paired with snaps of Hong Kong actress Maggie Cheung. Everyone is smiling in this mini-epic that is corralled in further concentric circles by an home-made audio collage of two riffs lifted from the Talking Heads and Sex Pistols." -Bruce Posner

A young single mother has to convince the authorities that she is a fit parent.