Movie where the Bulter rents our country mansion

In 1930s England, a group of pretentious rich and famous gather together for a weekend of relaxation at a hunting resort. But when a murder occurs, each one of these interesting characters becomes a suspect.

A documentary giving film fans a behind-the-scenes look at the making this Robert Altman film about a murder at an English country estate. Includes interviews with the cast and crew, who relate some of their experiences with making the film, as well as giving their views on all the work that went into it.

A rule-bound head butler's world of manners and decorum in the household he maintains is tested by the arrival of a housekeeper who falls in love with him in post-WWI Britain. The possibility of romance and his master's cultivation of ties with the Nazi cause challenge his carefully maintained veneer of servitude.

The filmmakers and lead actors of The Remains of the Day (1993) discuss how they came to make the film, and the subtle power of its execution.

When Lucy Honeychurch and chaperon Charlotte Bartlett find themselves in Florence with rooms without views, fellow guests Mr Emerson and son George step in to remedy the situation. Meeting the Emersons could change Lucy's life forever but, once back in England, how will her experiences in Tuscany affect her marriage plans?

The wind is blowing in the Châtelet Theatre. This destructive hurricane sweeps away all the remnants of a dying world. Shot just before the closure of theatres during lockdown, the film is like one last rave before the Apocalypse.

The social and class divisions in early 20th century England through the intersection of three families - the wealthy Wilcoxes, the gentle and idealistic Schlegels and the lower-middle class Basts.

A saga of class relations and changing times in an Edwardian England on the brink of modernity, the film centers on liberal Margaret Schlegel, who, along with her sister Helen, becomes involved with two couples: wealthy, conservative industrialist Henry Wilcox and his wife Ruth, and the downwardly mobile working-class Leonard Bast and his mistress Jackie.

Algernon Moncrieff is surprised to discover that his affluent friend -- whom he knows as "Ernest" -- is actually named Jack Worthing. Jack fabricated his alter ego in order to escape his country estate where he takes care of his charge, Cecily Cardew. Cecily believes that Ernest is Jack's wayward brother and is keen on his raffish lifestyle. Algernon, seeing an opportunity, assumes Ernest's identity and sneaks off to woo Cecily.

Two young gentlemen living in 1890s England use the same pseudonym ("Ernest") on the sly, which is fine until they both fall in love with women using that name, which leads to a comedy of mistaken identities...