scary nuclear movie where people procreate but kids look ugly

A motocross team on their way to trial a new super-fuel head out across the desert lead by Rachel, who, unbeknownst to the rest of the group, is a survivor of the cannibal clan which menaced the Carter family several years before.

Based on Wes Craven's 1977 suspenseful cult classic, The Hills Have Eyes is the story of a family road trip that goes terrifyingly awry when the travelers become stranded in a government atomic zone. Miles from nowhere, the Carter family soon realizes the seemingly uninhabited wasteland is actually the breeding ground of a blood-thirsty mutant family...and they are the prey.

Six children are found spread through out the world that not only have enormous intelligence, but identical intelligence and have a strange bond to each other.

Documentary / Horror - Ghosts and demons send chills up your spine, but there is something extra disturbing when they are children! Meet Children of the Damned who can be found shrieking in tunnels, moving objects, animating dolls, haunting the living and looking for revenge.

A man tries to uncover an unconventional psychologist's therapy techniques on his institutionalized wife, while a series of brutal attacks committed by a brood of mutant children coincides with the husband's investigation.

Chris crashes into a carload of other young people, and the group of stranded motorists is soon lost in the woods of West Virginia, where they're hunted by three cannibalistic mountain men who are grossly disfigured by generations of inbreeding.

A small-time crime boss kills a drug dealer without realizing that the drug dealer works for the biggest crime boss in the country.

A nuclear-plant leak turns a bus-load of children into murderous atomic zombies with black fingernails.

Densely colorized images of a couple making love and a close-up of a child's face dissolve into a nuclear mushroom cloud at the beginning of Subatomic Babies, one of Gorewitz's most highly charged works. Through a dramatic use of image-processing and an ominous, intensified soundtrack, Gorewitz links sex, life and death in an apocalyptic resolution that he calls "ecstasy near the abyss." Human figures — a man shadowboxing, his fists jabbing against the screen — are virtually swallowed up in threatening maelstroms of form and color. Shot in Jamaica and the South Bronx, this work conflates images that resonate with sexual and political meaning, reflecting Gorewitz's concern for the children "born under the atom."

Living in an apocalyptic world, a family of three fight for survival. Michael, determined to protect his family, pushes ten-year-old son Josh into manhood when a routine scavenger hunt goes awry.