Black and white movie where family home is desired by urban developer

After being evicted from their Manhattan apartment, a couple buy what looks like the home of their dreams—only to find themselves saddled with a bank-account-draining nightmare. Struggling to keep their relationship together as their rambling mansion falls to pieces around them, the two watch in hilarious horror as everything—including the kitchen sink—disappears into the Money Pit.

A white family has just put their house on the market and are soon showing it to an interested black family. The neighbors begin to gossip and soon the white family becomes the target of harassment and threats by bigoted residents in the community, who do not want a black family in the neighborhood.

A family moves from an affluent Chicago suburb to the mixed inner-city neighborhood where the father grew up, with the idea of giving the kids, who are becoming materialistic snobs, the feel of a big city environment.

An affluent black couple deal with the envitability of a white mob coming to kill them during the 1921 Oklahoma race riots.

Racial tensions come out of the woodwork when an upper-class white couple puts their suburban home on the market and the listing draws a pair of equally well-to-do African American buyers from Harlem. Fielder Cook directs this Broadway staging of playwright Arkady Leokum's exploration of lingering racial prejudice in 1970s America.

Black and White is the story of Lisa, a young Soviet emigre studying medicine in Manhattan, Roy, an African American building superintendent on New York's Lower East Side, and the bond that they form from living on the edges of Manhattan. Filled with an assortment of fringe artists, disenfranchised immigrants, diamond dealers and sexual surrogates, the film is ultimately about breaking down barriers between people.

Ampaw's film explores the challenges of Black people in Germany’s housing sector, creatively documenting landlords’ responses to the question of whether they would rent to a Black tenant, which range from explicitly racist takes to well-meaning, problematic clichés.

Subjected to Jim Crow laws and an overtly racist white population that still sees Blacks as property, an African American family in the South sends its sons away to a better life. Visualizing the migration of African Americans from the rural South to the urban, industrial North in sepia tones, director Iverson White’s period film captures the atmosphere of early 20th century America.

High interest on some $1,000,000 real estate has broker and his assistant delighted to come up for air to roll cut the carpet for a flyboy who is really a dope-dealing black-sheep looking for a roof over his heads. The plot thickens when the broker and his assistant show up at the Jones Street address to turn on the lights but get themselves turned on instead by pool man and two horny home-maids who stop at nothing to win the good housekeeping seal of approval. Shortly, the dealer and his wife, Patty, arrive to discover this new housing development and after rigorously probing into every nookie and cranny he decides that anywhere he bangs his Pat is home.

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