80s movie mentally disabled man and woman locked in basement

The Feature does not reconcile fact and fiction; instead, it blurs the definitions seemingly represented by the film’s two clearly demarcated registers: that of the archival footage and that of the new, theatrical material. In his guise as “Michel Auder,” living a fulsome and extravagant life, replete with beautiful women and a rock-cut pool overlooking Los Angeles, the art world is revealed as a sham, and his character exhibits a repulsive narcissism. And yet, when caught in quiet moments, something poignant emerges—a glimmer of truth that rebels against the entire endeavour. Or maybe, that’s what makes The Feature.

Nemo, a private detective consumed by an irreconcilable murder case, revisits the HAB--a transgressive warehouse-nightclub complex--where he re-evaluates the details of his confrontations with the Mirror Murders Killer, the man that would take everything from him. With each flashback more bizarre stories unfold, more embittered philosophies, more dark details, and all nuances of truth that lead to an ultimate revelation that drives Detective Nemo back into his caustic underworld one last time. There he must face the blind eye of Heaven, the hunger of Hell, and the relentless ambiguity of his own humanity. Detective Nemo will commit an impossible act upon himself, all in effort to seek vengeance and chase down the diabolical presence that the Mirror Murders Killer has become--Mr. Blight.

Eight years after seemingly destroying the killer doll, teen Andy Barclay is placed in a military school, and the spirit of Chucky returns to renew his quest and seek vengeance after being recreated from a mass of melted plastic.

American horror thriller movie from 1983.

A couple moves into a quiet neighborhood. With too much time on her hands, the woman begins to suspect that someone is confined in the basement next door.

A group of young people accidentally get locked in a parking basement, and become the victims of a malevolent supernatural force.

In 1972, the patients and doctors at Stephens Sanitarium were brutally murdered. Over forty years later, the only known survivor returns only to find the ghosts of the past have not been resting in peace.

In this urban drama, two homeless teenagers meet while seeking refuge in the basement of an abandoned building. What begins as a friendship sadly evolves into a mutual suicide pact.

A man and a woman trapped in a basement. An oblique look at Genesis 19.