Movie about a car

Vienna, 1906. A passionate love story develops between Franz Lobheiner and the young Christine. Lobheiner is, however, currently seeing the married Baroness von Eggersdorf. Upon learning of his wife's infidelity, the Baron von Eggersdorf provokes a duel with Lobheiner. But the former is no longer a real threat to the Baron. Lobheiner is now passionately in love with Christine. How will this love quartet end?

Nerdy high schooler Arnie Cunningham falls for Christine, a rusty 1958 Plymouth Fury, and becomes obsessed with restoring the classic automobile to her former glory. As the car changes, so does Arnie, whose newfound confidence turns to arrogance behind the wheel of his exotic beauty. Arnie's girlfriend Leigh and best friend Dennis reach out to him, only to be met by a Fury like no other.

The Cartel follows ten friends, all of them members of a dangerous drug cartel, whose ambition for power and money will cause them to eventually kill each other. For it is an undeniable truth that, in this business, you always lose.

The Utah community of Santa Ynez is being terrorized by a mysterious black coupe that appears out of nowhere and begins running people down. After the car kills off the town sheriff, Captain Wade Parent is determined to stop the murderous driver.

Lightning McQueen, a hotshot rookie race car driven to succeed, discovers that life is about the journey, not the finish line, when he finds himself unexpectedly detoured in the sleepy Route 66 town of Radiator Springs. On route across the country to the big Piston Cup Championship in California to compete against two seasoned pros, McQueen gets to know the town's offbeat characters.

“I don’t drive, but I know people who’ll drive 100 metres to go to the shops. Our society is obsessed with the car, with coming and going, getting somewhere. I used very intricate matting, some shaped like knives. I wanted the cars to slice each other in two, creating a kind of hurdy gurdy atmosphere…an abstract rushing to and fro, going nowhere. The first half of the film is silent. The second half, a grainy dupe of the same images, has sound and is far more urgent and aggressive.” (Paul Winkler)