I just turned it in to the walk like an Egyptian dance

In Big Bang (Song of the Cosmic Hobo), Harry Dodge appears as a low-rent automaton in an urgent quest to launch a small group of cosmic particles back into a state of pure potentiality. In this film, a cyborg (a shirtless Dodge with a Chroma key green cardboard-box robot head) purchases a particle board cabinet at IKEA and, after gloriously smashing it to bits with a sledgehammer, heads out to scatter the dust at a Grand Canyon scenic overlook. In swift order, the work invokes questions about consumerism, materiality, and the possible fecundity of dissolution or destruction.

Because the pillars were accidentally removed from the base of the bridge, the spirits in the pillars came out to attack the villagers again.