Teens hiding a briefcase. Maybe a scene on a pier

A burger-loving hit man, his philosophical partner, a drug-addled gangster's moll and a washed-up boxer converge in this sprawling, comedic crime caper. Their adventures unfurl in three stories that ingeniously trip back and forth in time.

A guilty pleasure of the mid-20th century, pulp fiction magazines were often defined less by their contents than by their provocative covers. This documentary explores the shocking art that brought life to these lurid publications. Filmmaker Jamie McDonald delves into the collection of art historian Robert Lesser, shedding light on this nearly forgotten art form and the ways it impacted popular culture.

Tom Ripley is a calculating young man who believes it's better to be a fake somebody than a real nobody. Opportunity knocks in the form of a wealthy U.S. shipbuilder who hires Tom to travel to Italy to bring back his playboy son, Dickie. Ripley worms his way into the idyllic lives of Dickie and his girlfriend, plunging into a daring scheme of duplicity, lies and murder.

The stars of director of the film reflect upon their experiences.

A documentary looking back on the making of Shunji Iwai's TV play Fireworks, Should We See it from the Side or the Bottom?.

Pete, an eight-year-old Catholic boy growing up in the suburbs of Chicago in the mid-1970s, attends Catholic school, where as classes let out for the summer, he's admonished by a nun to follow the path of the Lord, and not that of the Devil. Perhaps taking this message a bit too seriously, Pete decides it's his goal for the summer to help someone get into heaven - by trying to convert a Jew to Catholicism.

A group of teenage filmmakers find a case they weren't supposed to find.

A woman in disguise steals a MacGuffin, a chase ensues.