80s. About a sculptor. Builds a sculpture with television sets

As the president of a trashy TV channel, Max Renn is desperate for new programming to attract viewers. When he happens upon "Videodrome," a TV show dedicated to gratuitous torture and punishment, Max sees a potential hit and broadcasts the show on his channel. However, after his girlfriend auditions for the show and never returns, Max investigates the truth behind Videodrome and discovers that the graphic violence may not be as fake as he thought.

Through the use of interviews (both vintage and new) with various cast and crew members, including Rick Baker, Bill Sturgeon, David Cronenberg, James Woods among others, as well as behind-the-scenes footage, this tells the story of how the special effects in the film were created.

A documentary about the artist: working in a steel plant, boat yard, pattern shop, studio. Sculpture and the philosophy behind it; theatre pieces, etc.

The artist studio is decorated with a rug, a chaise lounge, a small table, a plinth, a couple of copies of classic sculptures, a vase with flowers, a few prints on the walls, and on the wood paneled lower half of the wall, an 8-pointed star [Saturn-Film's logo]. The artist is wearing a white shirt over his grey trousers, shirt and necktie, and he is wearing black shoes. With hammer and chisel, he applies the last touches on his last piece of sculpture - The Three Graces, standing nude on a rectangular podium covered with a white bed-shirt. He steps back, contemplates his work, and rejoices on the beauty he has achieved. He goes out momentarily, and brings a bottle of champagne and a glass; before drinking, he makes a toast to his finished statue. He drinks, smokes a cigarette, and contemplates his work - until he falls asleep on the chaise lounge. Only then do The Three Graces stir, and tip-toe around their creator. One even dares to approach her lips to the artist's.

Sculpture is a psychological horror gore-fest that tells the story of Ashley Steele, an aspiring artist who returns home after the death of her father only to find the haunting memories of her repressed childhood await her. She is commissioned to create a life-size sculpture of the perfect man, and uses body builders from her brother's gym as models, but soon finds herself spiraling down a path of unspeakable psychopathic terror and murder as she frantically tries to complete her masterpiece.

A sculptor recalls images of women from his past while creating a sculpture.

He dedicated sculpture all his life. But today he sculpts the figures of his neighbors in a nursing home, as lonely as he is. Every day, observing around himself the extinction of the life and suffering of the elderly, he creates realistic images in his works that compel empathy and cause sympathy.

The first scene presents before the astonished eyes of the spectators a solid piece of marble, which the minute it is placed on a table seems to take life, and one can follow a snake-like line branding on the polished face of the stone the name of the house of Pathé Frères. As soon as this stone has been engraved, as by magic, a handsome young lady appears with a huge lump of clay covered with a cloth. As soon as the cloth is removed from the soft mass it starts whirling and turning as if stricken mad, and one is asking one's self what all the contentions are going to lead to, when the vague shape of an animal not yet discernible seems to appear, and before one has time to make one's mind as to the category of brutes to which it belongs one sees the form of a remarkably well made orang-utan modelled out of the clay, who calmly smokes his pipe. Then the statue is removed by the same winning young lady and another covered block of the same substance is carried forward.

Comedian Alan Resnick plays a sculptor with Lynk's disease, who teaches you how to make sculptures of random objects. Spun-off from This House Has People in It (2016)