Dead mother kept in a chair upstairs

This harrowing half-hour archive series revisits some of the most brutal killers in modern history, reviewing news footage and the words of the killers themselves to see which terrifying traits each killer exhibited. What are the signs...of evil?

Siblings Mimi and Luke unwittingly resurrect an ancient alien overlord. Using a magical amulet, they force the monster to obey their childish whims, and accidentally attract a rogues’ gallery of intergalactic assassins to small-town suburbia.

A "contemporary prequel" to the 1960 film Psycho, depicting the life of Norman Bates and his mother Norma prior to the events portrayed in Hitchcock's film, albeit in a different fictional town and in a modern setting. The series begins after the death of Norma's husband, when she purchases a motel located in a coastal Oregon town so she and Norman can start a new life.

A mentally disturbed man, who roomed with the late Norman Bates at a psychiatric facility, inherits the infamous Bates Motel after his death and attempts to fix it up as a respectable business.

A grieving mother realises that there may be something sinister in her house.

A man finds a ghost sitting in a chair that never moves, and opens up a ghost tourism business for the wealthy. But terrifying occurrences haunt the observers as they uncover the mystery behind the woman in the chair.

A mother recently confined to a wheelchair moves into her daughter’s home, but suggestions that the house is haunted and strange behavior by her daughter’s boyfriend send her on a journey into madness.

A woman sorts belongings of her deceased mother. Uncanny phenomena occur in her house, and she recalls memories of her mother.

A girl returns home in the middle of the night. In one of the streets she finds a mysterious chair that catches her attention. The girl, attracted by curiosity, approaches to rock it. That little gesture will wake up something disturbing.

A woman sits alone on a chair at a table in a room on one of the top floors of an asylum. Bright spot lights dot the night, sometimes shining on her window. She sharpens pencils and writes on a page in a copy book. The pencil point often breaks under her fingers' force. She places broken points outside the window on the sill. A satanic figure is somewhere nearby, animated but of straw or clay, not flesh. She finishes her writing, tears the paper from the pad, folds it, places it in an envelope, and slips it through a slot. Is she writing to her husband? "Sweetheart, come." Written by