where the kid gets abopted into the USSR amy and goes crazy

Set during the Cold War period in the 1980s, The Americans is the story of Elizabeth and Philip Jennings, two Soviet KGB officers posing as an American married couple in the suburbs of Washington D.C. and their neighbor, Stan Beeman, an FBI Counterintelligence agent.

Change, Not Charity: The Americans with Disabilities Act tells the emotional and dramatic story of the decades-long push for equality and accessibility that culminated in the passage of the Americans with Disabilities Act (ADA) in 1990. While curb cuts, ramps at building entrances, and braille on elevator buttons seem commonplace today, they were once the subject of a pitched battle that landed on the steps of Congress. Told through the voices of key participants and witnesses, the film highlights the determined people who literally put their bodies on the line to achieve their goal and change the lives of all Americans. A story of courage and perseverance, the film brings to life one of the great civil rights movements in American history, where ordinary people made their voices heard and Congress responded. A testament to the power of coalition building and bipartisan compromise, the passage of the ADA is a shining example of democracy in action.

A Jewish child deported to Kazakhstan is saved and adopted by Kasym, an old Kazakh railway-man. Kasym gives him a Kazakh name, Sabyr, that in Kazakh language means humble. The child grows up in the small Kazakh village along with other deportees Vera, a traitor's wife, and Ezhik a Polish doctor. The Soviet militia harasses the poor peasants and Vera suffered the harassment of a bully cop: Bulgabi. Finally Vera accepts the marriage proposal of Ezhik but the jealous Bulgabi tries to prevent the marriage. The result is a fight in which Ezhik shoots himself accidentally. The old Kasym decides that Sabyr is now old enough to go to seek his real parents. At the end Sabyr, now an adult, decides to return to the village, but the village no longer exists because it was destroyed by a Soviet nuclear test.

Reima Elo ends up trying to commit suicide when he is abandoned by his wife Molla. He is also the village's laughing stock due to his communism. At a critical moment, a Lenin lookalike from Russia named Vladimir rescues him.

An ordinary high school turns into an ordinary model of a totalitarian state. The trivial story of the mysterious theft of a VCR turns into a grotesque and gloomy farce when interim director Viktor Andreyevich, with a callous dictatorial hand, terrorises students and teachers. And now the young "patriots" punish peers-"dissidents", joining the ranks of the "pioneer-jugend." And an ordinary school laboratory turns into a place for torture...

A teenage orphan fights against the Red Army at the end of WWII and in the aftermath is 'adopted' by a Commissar. Years later he is sent to London during the Cold war to work for the KGB, where he questions his life.

While detained in one of the Soviet Gulags (prison work camps), Maria fell in love with and had a child by one of the camp guards. However, in order to save her baby, she was manipulated into a situation where she had to betray her lover. The main attraction of this film is the clear depiction it gives of the harsh conditions of life in these infamous camps.

Lyudmila Ivanovna is 83 years old, she has memory problems, she is raising a grandson. Alyosha is 16, he is finishing school and preparing to enter the University. One Sunday morning the police burst into the house. Alyosha is arrested. Lyudmila Ivanovna is trying to understand what her grandson did. The words “meme”, “repost” and “extremism” are unfamiliar to her. Thus begins Lyudmila Ivanovna’s journey into the life of her grandson and the social problems of the Russian outback.

In the night, someone shoots an elderly couple in their sleep with a hunting rifle, leaving their twenty-year-old son, disabled and confined to a wheelchair, an orphan. The investigation reveals the life story of what seems at first glance to be an ordinary Soviet family. While still young, the couple lost their long-desired infant daughter. Later in life, the fate gives them a child, but he happens to be a boy. The mother's pathological desire to have a daughter becomes an obsession. The woman treats Sashenka as a girl, dresses him as a girl and buys him dolls. The father supports his wife in every way. This is how starts a dramatic and astonishing story of human vices and deviations.

Yasha, who likes Anna, accomodates siberian Pavel Kuganov, which later becomes a class-conscious worker in a factory. Anna refuses Yasha's offer of marriage and he therefore runs off to Siberia. After Pavel is hailed as a hero because he survives a fire accident in factory (which is in fact effect of his sabotage), Anna marries him. Pavel then becomes a reckless communist careerist, but only on surface. In fact, he is a traitor of the country and a spy, and gives Anna's party ID card to anti-communist movement. In spite of that, Anna is expelled from the communist party. Yasha returns from Siberia, only to find her love Anna desperate. They reveal the truth about Pavel (that he is a kulak who killed a kolchoz co-op leader), which means an end for Pavel.