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Quiet movie with gnossienne no. 1 as a main soundtrack
The Diving Bell and the Butterfly
The true story of Elle France editor Jean-Dominique Bauby, who, in 1995 at the age of 43, suffered a stroke that paralyzed his entire body, except his left eye. Using that eye to blink out his memoir, Bauby eloquently described the aspects of his interior world, from the psychological torment of being trapped inside his body to his imagined stories from lands he'd only visited in his mind.
Moonlight Sonata
"After GYMNOPEDIES, I had long wanted to animate a film specifically for a pre-selected piano piece by [Erik] Satie. MOONLIGHT SONATA is that film. It was totally designed for the 'Gnossienne V' and the movements of the animation are timed to the overall rhythms as well as the specific beats of the music." - Lawrence Jordan
Nocturne
Composed of a series of twilight images of empty streets, Nocturne is a mesmerising and tonally expressive work that similarly recalls the seminal tone poem Koyaanisquatsi, with the rigourous symmetry and urban desolation of Chantal Akerman’s News From Home. — New York Video Festival 2003 Notes.
After The Music by François Couperin: Les Barricades Mystérieuses
My first "real movie", which I started when I was a student, in 1978/79. An exploration / transformation of a mysterious house, black and white, with music by Couperin as indicated by the title. - Nick Collins
Nocturnes
Chopin "Nocturnes" accompany this study in black and white inspired by Huysman's decadent novel "À rebours".
Eine kleine Nachtmusik. Romanze Andante z Serenady G-dur KV 525
From the series of animated films to classical music.
25 Tranquil Classics
Blending oceanic imagery with a collection of soothing classical selections -- from Albeniz's "Tango in D to Puccini's "La boheme" -- this collection is ideal for viewers in need of a nice dose of peace and tranquility. Other selections include Beethoven's Piano Sonata No. 14 in C-sharp minor ("Moonlight"), Tchaikovsky's "Swan Lake" and Rachmaninoff's Piano Concerto No. 2 in C minor, Op. 18.
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