future scifi movie about collecting skin off computers or objects

Thirty years after the events of the first film, a new blade runner, LAPD Officer K, unearths a long-buried secret that has the potential to plunge what's left of society into chaos. K's discovery leads him on a quest to find Rick Deckard, a former LAPD blade runner who has been missing for 30 years.

In the year 2029, Section 9, a group of cybernetically enhanced cops, are called in to investigate and stop a highly-wanted hacker known as 'The Puppetmaster'. Ghost in the Shell 2.0 is a reproduced version of its original 1995 counterpart. Among a numerous enhancements, for the film's 2.0 release, were a number of scenes were overhauled with 3D animation, visual improvements, and soundtrack rerecorded in 6.1 surround sound.

The story is set in 2027, one year after the end of the fourth non-nuclear war. New Port City is still reeling from the war's aftermath when it suffers a bombing caused by a self-propelled mine. Then, a military member implicated in arms-dealing bribes is gunned down. During the investigation, Public Security Section's Daisuke Aramaki encounters Motoko Kusanagi, the cyborg, wizard-level hacker assigned to the military's 501st Secret Unit. Batou, a man with the "eye that does not sleep," suspects that Kusanagi is the one behind the bombing. The Niihama Prefectural Police detective Togusa is pursuing his own dual cases of the shooting death and a prostitute's murder. Motoko herself is being watched by the 501st Secret Unit's head Kurutsu and cyborg agents.

On the planet Latimer, Takeshi Kovacs must protect a tattooist while investigating the death of a yakuza boss alongside a no-nonsense CTAC.

After 250 years on ice, a prisoner returns to life in a new body with one chance to win his freedom: by solving a mind-bending murder.

A sci-fi short set in the not too distant future where augmentation is the way of life. For Kaye, still a natural, augmenting will help him keep pace in this now hyper-paced world. However, after acquiring an off-market prototype, Kaye quickly finds himself fighting not only for his own humanity, but something much larger.

With the medical breakthrough of a metal-based synthetic skin called "bio-ferron" the prospect for pioneering surgeries for burn victims and cancer patients seems set to occur but for the warped head scientist in charge...it's a opportunist chance to reactivate a long forgotten classified project...that has been left frozen in a set of cryogenic chambers deep beneath the bowels of government laboratory. Convincing the other in the research team to start work on putting this living 'metal' skin on corpses, he now has the perfect test patients waiting on ice for them to work on. But there was a reason three of these stiffs in particular where left to chill. Due to an experiment gone bad these three only look human on the outside and none of them are as dead as everyone believes they are.

When his cybernetic pet project is put in jeopardy, the handyman of a decaying apartment building is forced to take a stand, blurring the lines between human and machine.

This large scale video installation is a nature morte where the camera slowly unveils different fleshy entities embedded with technology. Laying in this strange land, half cemetery half waste-yard, obsolete mutations have been abandoned to create this new ecosystem hanging between life and death. By their shapes, textures and context, each entity is loosely inspired by different films of Cronenberg, such as The Fly, Scanners, Videodrome, Dead Ringers, The Brood, Existenz and Crash. The title is a reference to his film Crimes of the Future. The installation is surrounded by 5 televisions, lighting the room with different videos made with synthesizers. Each pattern represents a manifestation of the body, such as brain signals, heartbeats, blood etc. While referencing Videodrome and the evolution of the electronic image, it also suggests the idea that the body is a form of technology in itself.

Crimes of the Future is set in a future where sexually mature women appear to have been obliterated by a plague produced by the use of cosmetics. The film details the wanderings of Adrian Tripod, director of the dermatological clinic the House of Skin. Tripod seems at a loss following the disappearance of his mentor Antoine Rouge.