At the end the woman dances on a plain

Mia, an aspiring actress, serves lattes to movie stars in between auditions and Sebastian, a jazz musician, scrapes by playing cocktail party gigs in dingy bars, but as success mounts they are faced with decisions that begin to fray the fragile fabric of their love affair, and the dreams they worked so hard to maintain in each other threaten to rip them apart.

In a post-La la land world, a man must decide whether he loves or he hates it

A woman dances above a camera

A woman dressed as a Spanish dancer enters from the wings, camera right, and starts to dance. Her dancing consists of a series of high kicks, followed by a routine of handsprings, splits, and some contortionist positions. At the end, she takes a bow.

This film begins with points of light defining a dark space out of which a female dancer (Vivienne Palmer) emerges dressed in a semi-transparent green dress. Her dance is visually 'echoed' by close-up superimpositions of her arms, legs, and feet, and then later by her distant figure seeming to mimic and/or perhaps to control her foregrounded, cometimes back-lit, image. She often pauses thoughtfully in her dance, breaks step, walks away, etc., defining the perimeters of the dance. Finally she appears naked, midst dance, and takes heraldic stance at end.

woman dances

A woman dreams of being a great classical dancer and that the public cheers her on, which gives rise to the most absurd situations.

A woman dances in front of a wall.

A woman dances ballet.

Woman dances with fan