But isn’t that a kissing movie?

When teenager Elle's first kiss leads to a forbidden romance with the hottest boy in high school, she risks her relationship with her best friend.

With college decisions looming, Elle juggles her long-distance romance with Noah, changing relationship with bestie Lee and feelings for a new classmate.

A kiss is just a kiss…or is it?

A gay couple are kissing and deepening love in a movie scenario. As the two main actors are also a couple in real life, you can literally see “Love” in its exact form. The director himself mentions his aspects of kissing being entertaining and filled with wonder.

Can a kiss be a slap? The film is a sneak peak in the life of two same-sex lovers. The rush of the initial dates that is so evident on the pink cheeks, should it be hidden or displayed as a rebellion

The scene is set, familiar and unfamiliar at once. Two men engaged in a gaze magnetic enough to lock their lips and pull them to stand. What does this kiss serve? Is it passion, connection, expression, obligation? Maybe it’s all of it and more, or nothing more than touch.

At a preview theatre, a young filmmaker waits in the hope of getting his new sci-fi drama certified with ‘no cuts’ by the conservative men of the Indian Censor Board. The board finds a kissing scene in the film beyond the duration stipulated by official, orthodox rules. The filmmaker and board members argue, but when they enter the movie theatre to review the film, the laws of physics begin to disintegrate, sending these men into a world of chaos.

'Kiss' (2009), which concentrates on one of the gestures most intrinsic to cinematic language: the kiss. The work is filmed as an uncut ten-minute observation of a seemingly endless kiss on the top deck of a London double-decker bus. Disengaged from their immediate environment, a young couple begins an intimate game of desire. Over the course of the film their exchange of embraces gathers intensity, growing increasingly passionate and demanding. The camera follows waves of desire, at times verging on pain and aggression then again full of joy and lightness.

The cinematic kiss is probably one of the most archetypical images to be found in film history. It is usually a reassuring and sometimes climactic element in a movie's storyline. Not in Nicolas Provost's 'Gravity' though: with stroboscopic effects, more than a dozen kissing scenes, most from stereotypical 1950s romantic dramas, are edited together and superimposed. Narrative is subverted as the kissing is isolated from its context entirely; the action slows down and flickers back and forth. Every now and then, shots from different films overlap and match; protagonists merge and diverge again a few seconds later. The sugary and dramatic soundtrack of romantic film music contrasts with the deconstructed images; together, they form a dazzling 6-minute vertigo where love becomes a passionate battle.

Animated film about love born under the full moon from a first kiss.