WWII, France, choreographer, Bluebelle dancers

Jerry Mulligan is an exuberant American expatriate in Paris trying to make a reputation as a painter. His friend Adam is a struggling concert pianist who's a long time associate of a famous French singer, Henri Baurel. A lonely society woman, Milo Roberts, takes Jerry under her wing and supports him, but is interested in more than his art.

This recently produced behind-the-scenes documentary digs into Gershwin's original work, the genesis of the cinematic adaptation, casting, the shoot, and the eventual reception of the film.

In this classic drama, Vicky Page is an aspiring ballerina torn between her dedication to dance and her desire to love. While her imperious instructor, Boris Lermontov, urges to her to forget anything but ballet, Vicky begins to fall for the charming young composer Julian Craster. Eventually Vicky, under great emotional stress, must choose to pursue either her art or her romance, a decision that carries serious consequences.

A woman who finds a pair of pink high heels on a subway platform soon realizes that jealousy, greed, and death follow them wherever they go.

The film shadows Justin Peck, wunderkind choreographer of the New York City Ballet, as he undertakes the Herculean task of creating the company’s 422nd original piece. Following the creative process from its embryonic stages to its highly anticipated premiere, BALLET 422 is a powerful celebration of the skill and endurance of New York’s most talented dancers—as well as those who remain hidden in the wings.

Jeanne Chasles and Achille Viscusi dances.

The choreographer brings the Paris of yesteryear back to life: the city of the Boulevard du Crime from the first half of the 19th century, with its artists, theaters, and cabarets. In a staging reminiscent of a movie set, the mime Baptiste bathes in his memories, tell about his encounter with Garance, his impossible love for a marvelous yet unattainable woman, the magical universe of the stage, life behind the scenes, and the tenuous line performers maintain between reality and illusion. Marc-Oliver Dupin's original score provides the musical backdrop for a choreography alternating between larger ensemble numbers and intimate love duets.

A woman carefully drapes blue, white, and red cloths around her hips, as if she were about to begin a belly dance. This reference to the cliché of oriental femininity is tellingly clothed in the colors of the French nation. After a few minutes, just as the body finally begins its rhythmic movements, the Marseillaise blares out demonstratively. The heroic-national aspect of the march music supplants the expected sensuality of the dance. From the perspective of a young Algerian woman living in France, Zoulikha Bouabdellah presents the history of colonialism and a post-colonial present equally marked by exoticisms and racisms in an ironic and extremely condensed form. 1-channel video installation, color, sound

On a stage in front of a painted backdrop representing a park, Blanche and Louise Mante, one dressed in a man "Incroyable" suit from the 1st Empire period, dance.