1900s movie where characters lose their human form

Kenichi and his detective uncle, Shunsaku Ban, leave Japan to visit Metropolis, in search of the criminal, Dr. Laughton. However, when they finally find Dr. Laughton, Kenichi and Shunsaku find themselves seperated and plunged into the middle of a larger conspiracy. While Shunsaku searches for his nephew and explanations, Kenichi tries to protect Tima (a mysterious young girl), from Duke Red and his adopted son Rock, both of whom have very different reasons for wanting to find her.

In a futuristic city sharply divided between the rich and the poor, the son of the city's mastermind meets a prophet who predicts the coming of a savior to mediate their differences.

After his brother's death, Larry Talbot returns home to his father and the family estate. Events soon take a turn for the worse when Larry is bitten by a werewolf.

The film interprets the theme of the loss of personality, the so-called „depersonalization" – a state in which the individual loses the ability to feel the image of himself, his emotions, even his body. The world of the film is created through the movement of pigment, paint, fluid by the use of „painting under the camera" technique. The events flow into each other, degenerate in the logic of some irreversible and unnatural randomness. Their metamorphosis collides the evolutionary course with its opposite - the tree grows and buries his crown back into the earth, the world returns to primal matter, the consumer is consumed.

A group of jaded 1920s socialites defile the shrine of an ancient, evil sect and suffer horrific consequences as a result. Screened publicly only once, this film is considered lost as the answer print was badly damaged following its premiere screening. No other prints are known to exist, though fragments and still photos have surfaced from time to time.

An old Indian legend tells of the supposed ability of persons who have been turned into wolves through magic power to assume human form at will for purposes of vengeance. This film is presumed lost.

As the movie exits the black box, it realizes that the experience in the theater was material. I'm going to make a movie and reenact that property. He sits in front of the screen and recalls the sense of wiping out his body. But this attempt continues to run up against strange losses. The journey of losing something as it embodies it. The ghosts of the screen outside the theater sink slowly into the light.

The world where humans abandoned their flesh and blood long ago and became inorganic. This film depicts the form of their love and their loss.

Experimental film