In this movie you never fully see the frame

Henry teams-up with Fuzz Townshend once again. The duo will be doing what they do best: digging in the nation's sheds, barns and outbuildings, this time to (hopefully) find a tidy profit in some vintage motors

A short horror film.

In October of 1994 three student filmmakers disappeared in the woods near Burkittsville, Maryland, while shooting a documentary. A year later their footage was found.

Documentary about 'The Blair Witch Project' (1999) hosted by Max Hart of MadHartTV.

After a catastrophic car crash, a young woman wakes up in a survivalist's underground bunker, where he claims to have saved her from an apocalyptic attack that has left the outside world uninhabitable.

Five young New Yorkers throw their friend a going-away party the night that a monster the size of a skyscraper descends upon the city. Told from the point of view of their video camera, the film is a document of their attempt to survive the most surreal, horrifying event of their lives.

Two points of view from the same sequence of takes are presented through two separate frames.

The single frame is the only visible unit in film, yet it is nearly invisible. To see a single frame goes against the nature of cinema; even if that is its very nature. If every frame holds the same image, there will be no movement; if they are completely different from each other, there will be no movement either, but chaos. By using a still camera like a film camera and a film camera like a still camera, Numero 4 rides on the edge between film and photography. One unedited super-8 camera roll.