She removes her white gloves in the last scene, alfred hitchcock

An ex-tennis pro carries out a plot to have his wealthy wife murdered after discovering she is having an affair, and assumes she will soon leave him for the other man anyway.

A reimagining of the opening scene of Alfred Hitchcock's Strangers on a Train.

Alfred Hitchcock is known as a giant of movie making, a facetious master of suspense, obsessed with blond heroines in peril, with the reputation of being tyrannical towards his actors. But who knows the real Hitchcock? During his last public appearance, "Hitch" paid tribute to the wife, mother, co-writer, editor and partner of a lifetime that was Alma Reville Hitchcock. The two Hitchcock were inseparable, engineering the unquestionable masterpieces together. Their genuine collaboration never stopped from the day they met until the end of their lives. It's in light of this fusional relationship that this film will revisit and shed fresh light on the legend.

Borrowing images from Alfred Hitchcock's Psycho, LeFave revisits one of the most famous murder scenes in film history. In this case however, the search is for the absent female body. Is the female gaze dead?

In this homage to Alfred Hitchcock, a femme fatale and a photographer embark on a romantic adventure surrounding a mysterious marble.

Al and Fred hook up for a little casual fun that soon turns ugly, revealing some fateful truths about Internet-dating, love and death.

In this new video by filmmaker Daniel Raim, production designer Robert F. Boyle uncovers how two great artists—Alfred Hitchcock and Edward Hopper—mastered the subtle art of suspense.

Director Alfred Hitchcock is revered as one of the greatest creative minds in the history of cinema. Known for his psychological thrillers, Hitchcock’s leading ladies were cool, beautiful and preferably blonde. One such actress was Tippi Hedren, an unknown fashion model given her big break when Hitchcock’s wife saw her on a TV commercial. Brought to Universal Studios, Hedren was shocked when the director, at the peak of his career, quickly cast her to star in his next feature, 1963’s The Birds. Little did Hedren know that as ambitious and terrifying as the production would be to shoot, the most daunting aspect of the film ended up coming from behind the camera.