brown and white cow to start new breed, western movie

Vignettes weaving together the stories of six individuals in the old West at the end of the Civil War. Following the tales of a sharp-shooting songster, a wannabe bank robber, two weary traveling performers, a lone gold prospector, a woman traveling the West to an uncertain future, and a motley crew of strangers undertaking a carriage ride.

In the 1820s, a taciturn loner and skilled cook travels west to Oregon Territory, where he meets a Chinese immigrant also seeking his fortune. Soon the two team up on a dangerous scheme to steal milk from the wealthy landowner’s prized Jersey cow – the first, and only, in the territory.

In this romantic western, the real stars are a mustang and a police dog. The human aspect of the story centers on a rodeo rider whose late father bequeathed him a ranch in Calgary, Canada. The rider really tries to settle down to ranching, but finds himself pining for the rodeo. His forewoman, also a former rodeo performer, thinks her employer is shirking his duties and needs to forget about broncos, and bull-riding and settle down. Meanwhile, the fellow also longs to catch the white stallion running wild. The dog helps out.

Journey to California's picturesque Santa Inez Valley as a wild Brahma bull threatens the area's prized cattle herds. The ranchers' best hopes for corralling the 1800-pound horned hooligan are three talented Australian "cow cutter" shepherd dogs -- Stub, Queen and Shorty. Stub keeps a few tricks "up his sleeve" for rodeos, roundups and a daring river rescue.

Another early and all-but-forgotten film was produced in Texas by famed cattleman Charles Goodnight at his JA Ranch in the Panhandle in 1916. Goodnight staged an old-style buffalo hunt, using Indians, led by a 70-hear-old Kiowa named Horse, from the reservation at Fort Sill, Okla. The Wiswall brothers from Denver spent nearly a month shooting the hunt and other footage at the ranch. The resulting film, Old Texas was shown at a cattlemen's association meeting in Denver and was subsequently lost.

Mr. Wilson hires Mantan to travel out West and clean out an old property. Mantan runs into trouble in believing the house is haunted while a gang uses it as a hideout. A race film Western produced by the Toddy Company; made for $500 over two days. Restoration by the Academy Film Archive and Blackhawk Films with funding from the estate of David Shepard from the only surviving 35mm nitrate print donated by Giancarlo Esposito and Laurence Fishburne.

A rancher and former rodeo star comes across a runaway boy while he is hunting a wild stallion.

A pioneer caravan is attacked by Indians, who greatly outnumber the pale faces. The whole party are massacred, with the exception of a year-and-one-half old baby, who being hidden by its mother, escapes detection. Whitey is a big, bashful cowpuncher, who secretly worships at the shrine of the only eligible woman in camp, a buxom widow.

Some cowboys of the Wild West Show saddle bronchos not without difficulties.

It's 1885. Wild bison are scarce in the North West Territories. Luther Giddings (Paul Spence), a scout of mixed blood returns to the buffalo ranch where he was born to reunite with his half brother, William Turner (Dave Lawrence). Greeted by a rag tag posse of racists, homophobes and gossips, the only kindness Luther receives is from the rancher's effeminate son. Whiskey floats more trouble than it drowns and before long, he is on the run, the bison rancher's inept outfit on his tail. When Luther discovers that the captive white buffalo has followed him, he vows to return the animal to her people to trigger the return of the Great Herds. With an two thousand pound buffalo and a reluctant brother from another father in tow.