night car scene

Out in the sticks, a young drifter goes wandering where he oughtn't. When a mysterious car appears, he exhibits more lust than sense and steps right into the web of a demonic Black Widow Queen. She'll leave him buried in the ground by day while she livesa normal life in the city. By night she returns to unearth him, to wake him from his eternal daze and toss him into the backseat ofa "ghost car" that car drives itself. The windows fog up and the lovers drift off into a smoky in-between place, where she takes on monstrously sensual new forms with which to devour him.

A light, humorous look at the motor car and the great North American itch for a place on the road. From the comparative peace of Honest Joe's used-car lot, this film hustles you onto our public speedways, where hot rubber erases any distance between all points. Slow-motion and pop-on-pop-off photography make this a provocative, revealing study of motormania unlimited. A 1960 black and white production. (Also released under the title 1/3 Down and 24 Months to Pay.)

Sometimes first love is found in the most unlikely of places, like in the carpark outside the Te Kaha pub.

In this violent drama, a young juvenile delinquent gets into more trouble when he gets involved with a gang that steals auto parts and resells them on the black market to pay for their beer parties. It looks as if he might actually turn his life around after he meets a good-hearted woman, when he decides to run a final game of chicken against a juvenile delinquent girl who gets killed in the ensuing crash. The terrified boy then takes his girlfriend and splits. He is later shot-down by the police. Later the authorities learn that the boy was set upon his crooked path by policemen who beat him when he was younger.

Prom Night, 1991. Carrie and Don plan to have sex for the first time in the back of Don’s dad’s minivan. But when they witness a murder outside the car, their night takes a sharp turn.

Three little cars, love at first sight and a fight out of jealousy.

“I don’t drive, but I know people who’ll drive 100 metres to go to the shops. Our society is obsessed with the car, with coming and going, getting somewhere. I used very intricate matting, some shaped like knives. I wanted the cars to slice each other in two, creating a kind of hurdy gurdy atmosphere…an abstract rushing to and fro, going nowhere. The first half of the film is silent. The second half, a grainy dupe of the same images, has sound and is far more urgent and aggressive.” (Paul Winkler)

Andrzej, a great fan of speedway racing, can’t go back home where his beloved woman as well as a the world cup TV broadcast are waiting for him, because he has to fill in for his indisposed colleague at a night shift in the carwash. It was another quiet night, as he expected. Until a yellow Wartburg drove into the carwash... ‘People have been trying to create tragedies for ages, yet what comes out is just a comedy’ – this is the motto by Jean-Baptiste Emanuel Zorg, which opens this film, full of suspense and comedy.

This sour satire records how narrow-minded, perishable and prejudiced human relations are. Lili, an open, good-hearted, but clumsy girl gets a rusty Renault Gordini from her uncle living in France. She wants to learn driving, but makes horrible and perilous mistakes behind the wheel.