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After a car crash, criminal psychologist Dr. Miranda Grey regains consciousness only to find that she's a patient in the same mental institution that currently employs her. She's been accused of murdering her husband Dr. Douglas Grey — but she has no memory of committing the crime. As she tries to regain her memory and convince her co-worker, Dr. Pete Graham, of her innocence, a vengeful spirit uses her as an earthly pawn, which further convinces everyone of her guilt.

Three dark stories in tribute to the Master of Horror, Peque Gallaga.

In 2176, a Martian police unit is sent to pick up a highly dangerous criminal at a remote mining post. Upon arrival, the cops find the post deserted and something far more dangerous than any criminal — the original inhabitants of Mars, hellbent on getting their planet back.

Documentary about the making of John Carpenter's sci-fi horror movie, Ghosts of Mars.

Welcome back, Chibi Godzilla! Everyone’s favorite little monster has made its return with the new anime series Chibi Godzilla Raids Again!

In postwar Japan, Godzilla brings new devastation to an already scorched landscape. With no military intervention or government help in sight, the survivors must join together in the face of despair and fight back against an unrelenting horror.

Looking at the fittingly-named Advanced Garbage Film, we see a slop of drawing, scratching, and any number of direct cinema interventions on what looks like camera footage of a projection of different handmade films. The camera zooms in and out of these images while the extra-photographic layers on top remain. It’s psychedelic but not too heavy. The film has a sketchy, literally “experimental” feel to it. A search connects the film to the legacy of abstract graphic works made at CalArts, as it was shown in a fifteen-program retrospective of CalArts films at the Centre Pompidou in 2007. After CalArts, Luttrell started the company Cynosure Films which did optical effects for films like Stranger Than Paradise and Down by Law. -Herb Shellenberger

"In this film I began to experiment more with creating mats with liquid latex directly on the film emulsion then bleaching of all the excess image around the latex and using the clear bleached sections of film as a canvas to paint my film poem I used special inks that were custom made just for me called Keneville Dyes I then to re-photographed it all on my beloved JK optical printer. I also created this films sound design."

Two artists create grotesque characters; Two-dimensional drawings which somehow have a life of their own, that exist in the same space as real objects. The film seems to ask, "Isn't every filmmaking venture a series of repeated, once-negative images displayed alongside the real world?"