French movie actor is weird looking

An actor who does not suffer fools gladly finds himself replaced by one in this comedy. The citizens of a French village decide to celebrate their history by staging a play that will chronicle memorable events from the town's past. The play's author, Alexis, casts his wife Janine (Isabelle Candelier) in the leading female role despite her odd way of delivering dialogue. However, for the male lead, Alexis hires an arrogant professional actor from Paris, Jean-Pascal Faix. The village simpleton, Andre , has volunteered to serve as a stagehand and prompter. When Andre mistakenly leads Jean-Pascal into a trash dumpster that's soon dragged away, he's convinced (falsely) that he's killed the Parisian actor -- and is determined to take his place so that the show will go on.

Jean, a well-known but casual actor, arrives on set freshly shaved while his director had asked him to come with a four-day beard. This innocuous gesture is a disaster for the filming and, for Jean, an opportunity to finally pay attention to the world that surrounds him.

Franck Leroy is a famous actor, adored by the public. But in the professional world as well as in his private life, he is known to be demanding, unbearable, even detestable. In a few days, he is performing in front of the entire Parisian audience with his new play and the theater is already sold out. However, a week before the premiere, tired of the moods of the star, his fellow actors abandon him. Worse, no actor in the country wants to work with him anymore.

A fantasy satire film about how fear drives a nice guy into a judgemental person against his new neighbors, the Frenchy family - they are human with heads like French Bulldog.

A film director, in bad standing with his studio, tries to turn a local carnival dancer into a "French" movie star and pass her off as his big new discovery.

A young Belgian of Maroccan decent identifies himself with Jean-Claude Van Damme.

In this drama, the popular French film star of the '30s and '40s Jean Marais plays Victor, a disgruntled, cranky old man who is forced to come to terms with the fact that he is now the guardian of his mulatto grandson Clem (Serge Ubrette). Victor is shocked to discover his grandson's mixed heritage when he travels to London to pick him up, but resigns himself to the situation. Once at home in France, the brash Clem manages to steal the heart of the most coveted young woman in town, but that only gets him into trouble with her tough-guy boyfriend and his buddies. Meanwhile, Grandpa is trying to come to grips with his own biases as best he can.

Louis-Philippe Fourchaume, another typical lead-role for French comedy superstar Louis de Funès, is the dictatorial CEO of a French company which designs and produces sail yachts, and fires in yet another tantrum his designer André Castagnier, not realizing that man is his only chance to land a vital contract with the Italian magnate Marcello Cacciaperotti. So he has to find him at his extremely rural birthplace in 'la France profonde', which proves a torturous odyssey for the spoiled rich man; when he does get there his torment is far from over: the country bumpkin refuses to resume his slavish position now the shoe is on the other foot, so Fourchaume is dragged along in the boorish family life, and at times unable to control his temper, which may cost him more credit then he painstakingly builds up...

Stressed and overworked, famous French movie star Michel Blanc is beginning to wear down, physically and mentally, from the pressure and demands of fame. Already in a fragile state of mind, strange events start to transpire all around him, and he gradually loses his grip. Taking the advice of a psychiatrist, Blanc retreats to the countryside with his friend Carole Bouquet, but Blanc still has not managed to escape all of his problems.

Jean-Pierre Bacri was never happy about anything. But beyond the caricature of the grumpy man, from his apprenticeship years to his death in January 2021, this film tells the story of this quintessential Frenchman: a man turned towards others, an actor by accident, a moralist by vocation, who was left unaffected by flattery and false honors by success, and ready for all kinds of anger when it was necessary to speak out against injustice and stupidity. The film tells the story of how Jean-Pierre Bacri's life changed several times: from Algeria to France when he was eleven years old in 1962; from bank clerk to apprentice theater actor; from Pieds-noirs film star to screenwriter for Alain Resnais; and from Cannes playboy to Agnès Jaoui's mad lover, the most decisive encounter for his life as well as for his work